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IN Listening Ahead THIS WEEK:
RECITAL
CHAMBER MUSIC
OPERA
CHORAL
SYMPHONY
DANCE
EARLY MUSIC
WORLD MUSIC
CONTEMPORARY MUSIC
EVENTS
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A Selective and Subjective Guide to the Classical Music Scene for April 25 May 8, 2006
By Janos Gereben, Mickey Butts, and Michelle Dulak Thomson,
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RECITAL
Midori
I ought to have known that Midori was not the ordinary flash-and-no-substance sort of prodigy when, over one summer (at age 13), she learned and then performed the Berg Violin Concerto at Aspen in the space of three weeks. Now she's taken up new music in a big way. After an Easter weekend workshop of master classes and lectures, next comes a thrilling recital of music by Judith Weir, Isang Yun, Alexander Goehr, György Kurtág, and Witold Lutoslawski. That's unexpectedly interesting behavior from someone recording for Sony. April 27, 8 p.m., Herbst Theatre, San Francisco, $27-$49, (415) 392-2545, www.performances.org. (M.D.T.)
Hamelin: First the Talk, Then the Concert
Montreal-born, Philadelphia-resident pianist Marc-André Hamelin will participate in a San Francisco Performances "Meet the Artist" discussion (hosted by Sarah Cahill) on April 28. The next day, he will give a recital at Herbst Theatre. On the program: Vladigerov, Schubert, and Liszt transcriptions of music from operas by Wagner, Verdi, and Bellini. If the name of the first composer in the list is not all that familiar, here is a clue: Pancho Vladigerov (1899-1978) was an important Bulgarian composer; Hamelin will play his 1934 Sonatina Concertante. Discussion, April 28, 7 p.m., S.F. Performing Arts Museum and Library, War Memorial Building, free for SFP subscribers, call (415) 392-2545 to register; concert, April 29, 8 p.m., Herbst Theatre, $49, (415) 398-6449, www.performances.org. (J.G.)
Leif Ove Andsnes
The Norwegian pianist, the youngest artist ever to be given the opportunity to create a multiconcert "Perspective" series at Carnegie Hall in New York, is back in San Francisco with an all-Romantic-era recital, featuring Schumann's Four Pieces, Schubert's Three Fragments, Beethoven's Piano Sonata No. 31, and Mussorgsky's Pictures at an Exhibition. Andsnes has collaborated with Ian Bostridge on the 2004 CD of Schubert's Winterreise, a clear and level-headed interpretation, and is co-artistic director of Norway's acclaimed Risør Chamber Music Festival. In SFCV, Mack McCray said this of the pianist's 2003 recital in the Bay Area: "There is a particularly refreshing feeling that Andsnes' kind of playing arouses in us a calm, clear joy that springs from a deep and contemplative place." April 30, 7 p.m., Davies Hall, San Francisco, $20-$79, (415) 864-6000, www.sfsymphony.org. (M.B.)
Merola/Adler Singers in the Temple
San Francisco Opera Center singers return to Temple Emanu-el for another Music at Meyer recital, in the temple's Martin Meyer Sanctuary, performing the music of Mozart, Rossini, Verdi, and Richard Strauss. May 1, 7:30 p.m., Temple Emanu-el, San Francisco, $16-$19, (415) 863-1245, www.emanuelsf.org. (J.G.)
Merola singers and Adler Fellows slated for Music at Meyer
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CHAMBER MUSIC
Cypress, Calling and Responding
The Cypress Quartet's "Call and Response" series next will offer Beethoven's Opp. 131 and 135 String Quartets as the "call," and the world premiere of George Tsontakis' String Quartet No. 5 as the "response." April 28, 7:30 p.m., Yerba Buena Center, San Francisco, $7-$15, (415) 978-2787, www.tickets.ybca.org/tickets. (J.G.)
Composer George Tsontakis
Del Sol Quartet and Melody of China
The ever-adventurous Del Sol String Quartet performs Antheil's Quartet No. 3 and joins Melody of China to perform world premieres by local composers Kui Dong and Duo Hang, with the participation of percussionist Chris Froh. April 28, 8 p.m., Carriage House Theater, Montalvo, $30/$35, (408) 961-5858, www.delsolquartet.com. (J.G.)
FerryMusic to Sail
New York has its BargeMusic, described as an "unlikely combination of first-rate classical music, small-town setting, and spectacular views of Manhattan, the best place for chamber music in New York." Now, San Francisco will have its FerryMusic, aiming at the same standard. Some of the Bay Area's top chamber musicians, organized by the Philharmonia Baroque's Tanya Tomkins, are due to perform, while on-board amenities unfold on Hornblower Cruises' Ferryboat Santa Rosa, permanently docked at Pier 3, at the Embarcadero. The first program offers performances by the San Francisco String Trio (Bettina Mussumeli, Jodi Levitz, Tanya Tomkins); the second by the Ives Quartet (Mussumeli, Susan Freier, Scott Woolweaver, Stephen Harrison). April 30, 4 p.m. and 6:30 p.m., Santa Rosa ferryboat, Pier 3, San Francisco, $30-$50 (the latter includes hors d'oeuvres), (415) 392-4400, www.ferrymusic.org. (J.G.)
New concert hall: the Ferryboat Santa Rosa
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OPERA
Show Me the Way to That Cad in San Jose
Don Giovanni will rampage through the boudoirs and hearts of ladies when Opera San José presents Mozart's opera. George Cleve and Anthony Quartuccio share conducting duties, Lorna Haywood is stage director, and Giulio Cesare Perrone is responsible for the sets. The double-cast performances will feature a number of young, talented singers, including Joseph Wright and Jason Detwiler in the title role, Lori Decter and Deborah Berioli as Donna Anna, Janelle Laurenti and Janelle Laurenti as Donna Elvira, and Christopher Bengochea and Adam Flowers as Don Ottavio. April 25, 27, and 29 and May 5, 8 p.m.; matinee on April 30 and May 7 at 3 p.m., California Theatre, San Jose, $65-$85, (408) 437-4450, www.operasj.org. (J.G.)
Berkeley's Cosmetic Surgery Opera
Berkeley Opera presents the world premiere of Clark Suprynowicz's Chrysalis, to a libretto by John O'Keefe, about and we quote here "cosmetic surgery and genetic manipulation." There is a strong production team in place, with musical direction by Jonathan Khuner and Sara Jobin,and stage direction and design by Mark Streshinsky. Mezzo-soprano Buffy Baggott, soprano Marnie Breckenridge, and baritones Igor Vieira and John Minágro sing the lead roles. The 20-piece San Francisco Chamber Orchestra will be in the pit. April 26, 28, and 30, 8 p.m., Julia Morgan Theatre, Berkeley, $10-$40, (925) 798-1300, www.berkeleyopera.org. (J.G.)
Tracing Nero's Rise to Mommy Dearest
Donald Pippin's Pocket Opera presents Handel's rarely performed Agrippina, with Marcelle Dronkers, Sara Ganz, Elspeth Franks, and Lisa Van Der Ploeg in the cast. Pippin's introduction to the work explains, "In the imperial palace of ancient Rome, Agrippina has just received the exciting news that her husband Claudio, the emperor, has drowned at sea. Owing to the sudden, unexpected nature of his demise, he was unable to name a successor: the field is wide open. Agrippina, an alert mother, sees this as a golden opportunity for her own son by a previous marriage, young Nero. The result a lively chapter from the palmy days when the path to power was seldom cluttered by scruple." April 29, 2 p.m., Florence Gould Theater, Legion of Honor, San Francisco, $18-$32, (415) 972-8934, www.pocketopera.org. (J.G.)
Marcelle Dronkers in the title role of Agrippina
Britten at San Francisco Lyric
Benjamin Britten's complex, intense, and infrequently performed Rape of Lucretia is the stamp-sized San Francisco Lyric Opera's next venture, the company's first English-language work, to be performed with supertitles an excellent idea. Four performances will be conducted by company music director Barnaby Palmer and directed by Heather Carolo. The cast includes Darla Wiggington in the title role, Daniel Cilli as Tarquinius, and Melody Moore and Trey Costerisan as the Female and Male Chorus, respectively. May 5 and 6 [and 12 and 13], 7:30 p.m., Florence Gould Theater, Legion of Honor, San Francisco, $15-$28, (415) 392-4400, www.sflyricopera.org. (J.G.)
Darla Wiggington and Daniel Cilli in The Rape of Lucretia
Photo by Simon Palmer
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CHORAL
Pacific Collegium
Pacific Collegium is serving up a double choir feast with Vivaldi's Beatus vir and Bach's Der Geist hilft. The addition of the Pacific Boychoir should only heighten the effect. April 29, 7:30 p.m., Trinity Episcopal Church, San Francisco; April 30, 3 p.m., St. Paul's Episcopal Church, Oakland, $8-$18, info@pacificcollegium.org, www.pacificcollegium.org. (M.D.T.)
Ancient and Contemporary at the Conservatory
The fifth annual Choral Composition Competition at the Conservatory of Music presents 10 new works by Conservatory students, along with the music of Palestrina, Gibbons, Purcell, Finzi, and Toch. David Conte conducts the Conservatory Chorus. May 6, 8 p.m., S.F. Conservatory, Hellman Hall, San Francisco, free, (415) 759-3475, www.sfcm.edu. (J.G.)
American Bach Soloists
The early music masters at ABS perform the St. Matthew Passion, Bach's transcendent stroke of choral genius. May 7, 4 p.m., Calvary Presbyterian Church, San Francisco; May 8, 7:30 p.m., Jackson Hall, Mondavi Center for the Performing Arts, Davis; May 12, 7:30 p.m., St. Stephen's Church, Belvedere; May 13, 7:30 p.m., First Congregational Church, Berkeley; $10-$40, (415) 621-7900, www.americanbach.org. (M.B.)
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SYMPHONY
Conservatory Orchestra Premiere
The San Francisco Conservatory Orchestra, conducted by Andrew Mogrelia, will perform the Bartók Concerto for Orchestra, Gershwin's An American in Paris, and the winner of the Jim Highsmith Composition Competition, Darren Jones' Toccata No. 2. April 29, 8 p.m., San Francisco Conservatory of Music, Hellman Hall, $10-$15, (415) 759-3475, www.sfcm.edu. (J.G.)
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DANCE
Dancing to Strauss, Ligeti, and Mendelssohn
San Francisco Ballet's last series of the season's eight programs opens April 25, featuring the local premiere of Lar Lubovitch's Elemental Brubeck, Christopher Wheeldon's Continuum, and Yuri Possokhov's Reflections. Continuum is to the music of György Ligeti, last performed on tour in London in 2004. Possokhov's Reflections uses Felix Mendelssohn's Symphony No. 1. April 25 and 28 and May 4 and 6, 8 p.m.; April 26, 7:30 p.m.; April 30, 2 p.m.; May 6, 1 p.m., War Memorial Opera House, San Francisco, $10 (students, seniors, standing room) to $199, (415) 865-2000, www.sfballet.org. (J.G.)
Corps de Ballet in the Wheeldon-Ligeti Continuum
Photo by Erik Tomasson
Delibes à la Mark Morris
Léo Delibes' claim to musical fame rests mostly with Lakmé, but his ballet scores for Coppélia and Sylvia are also fine examples of shamelessly romantic 19th century French euphony. A fortuitous conjunction of score and choreographer genius is Mark Morris' version of Sylvia, which returns to the San Francisco Ballet this month. April 27 and 29 and May 2-3 and 7, 8 p.m., War Memorial Opera House, San Francisco, $10 (students, seniors, standing room) to $199, (415) 865-2000, www.sfballet.org. (J.G.)
Yuan Yuan Tan in Sylvia
Photo by Chris Hardy
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EARLY MUSIC
El Mundo
Come out to support the season's last concert of the seven-year-old Music on the Hill, a top-notch and affordable chamber music series in San Francisco's Bernal Heights neighborhood. Coming up: a program of 17th and 18th century Spanish and Italian music by early music specialists El Mundo, with Richard Savino, guitar/lute; Jennifer Ellis, soprano; Adam LaMotte, violin; and William Skeen, viola da gamba. April 30, 7 p.m., St. Kevin's Church, San Francisco, $7-$12, (415) 820-1429, www.musiconthehill.org. (M.B.)
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WORLD MUSIC
Pansori at the Asian
Among the Asian Art Museum's ongoing exhibits and events highlighting the culture of Korea (in conjuction with the museum's Contemporary Korean Ceramics exhibit), the next concert of interest is a pansori event, in the storytelling tradition of Korea. Pansori literally means "songs at a place of entertainment": "pan" is the place, "sori" means the sound. Pansori is usually performed by two people, one playing a drum while the other chants a song in a folk style, resembling an epic or a narrative. Some run up to six hours. The event at the Asian will last only an hour, featuring music by renowned Korean composer Chanhae Lee. April 27, 7 p.m., Asian Art Museum, Samsung Hall, free with $10 museum admission ($5 after 5 p.m.), (415) 581-3500, www.asianart.org. (J.G.)
KITKA's Spirit Voices
KITKA (meaning "bouquet" in Bulgarian, but with additional rich symbolic meaning in the world of Balkan women's folk music) is Oakland's 27-year-old, world-famous ensemble, performing music rooted in East European vocal traditions. The group is now presenting four prerecording concerts in various Northern California chapels. Called Spirit Voices, the performances feature a special guest, Bulgarian folkloric soprano Tzvetanka Varimezova. April 27, 8 p.m., First Unitarian Church, Oakland; April 28, 8:15 p.m., Noe Valley Ministry, San Francisco; April 29, 7:30 p.m., Trinity Episcopal Cathedral, Sacramento; April 30, 3 p.m., St. Joseph's Cultural Center, Grass Valley, $12-$22, (510) 444-0323, www.kitka.org/calendar. (J.G.)
The women of KITKA
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CONTEMPORARY MUSIC
TrioMetric
What on earth is "NuRoque," short for Neo-Baroque? According to the avant-garde TrioMetric, it is inspired by the "musical revolution that new instruments and esthetics caused in Europe in the 1600s." How does it work? "Based on the concept of enhanced instruments coupled through an intelligent network, NuRoque is the sophisticated integration of live instruments that are extended beyond their original function with MACIAS, an intelligent system that receives, interprets, and operates on the sounds, notes, gestures, and intentions of the musicians." You can find out what all this sounds like at the group's Web site, and at their concert. April 28-29, 8 p.m., ODC Theater, San Francisco, $10, www.triometrik.org. (M.B.)
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EVENTS
Community Music Day
This all-day event features performances from professional and student musicians of the Crowden School, the popular "Instrument Petting Zoo," and the Instrument Workshop, where kids can make their own simple instruments. April 29, 11 a.m. to 4 p.m., Crowden Center for Music in the Community, Berkeley, free, (510) 559-2941, www.crowden.org. (M.B.)
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Many more events are listed in the SFCV Calendar.
(Janos Gereben is a regular contributor to San Francisco Classical Voice. His e-mail address is janosg@gmail.com. Mickey Butts is executive director, editor, and publisher of San Francisco Classical Voice. His writing has appeared in Salon, Food & Wine, The Industry Standard, The Financial Times, Wired, The Nation, and The San Francisco Chronicle. Michelle Dulak Thomson is a violinist and violist who has written about music for Strings, Stagebill, Early Music America, and The New York Times. )
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