Janice Berman
Janice Berman was an editor and senior writer at New York Newsday. She is a former editor in chief of Dance Magazine.
Articles by this Author
San Francisco Ballet’s new Cinderella, which had its U.S. premiere Friday night with a cast headed by Maria Kochetkova in the title role, is magic.
More about San Francisco Ballet »The Paul Taylor Dance Company chose a dry and difficult path to open its five-day San Francisco Performances engagement Wednesday.
More about San Francisco Performances »The return of the Alvin Ailey American Dance Theater for its second engagement at Zellerbach Hall since Robert Battle took over the artistic directorship is, to judge from Tuesday’s opening, a rip-roaring audience success.
More about Cal Performances »Alonzo King Lines Ballet throws itself an elegant, if late, 30th-anniversary celebration, with a work in collaboration with virtuoso Edgar Meyer central to the occasion.
More »The much-lauded choreographer Paul Taylor reflects on rites of spring on stage and in his own garden, as his company readies for a series of San Francisco performances.
More »The presentation of neoclassical masters, the inspiration for Ballet San Jose’s performances, covered a lot of ground, and the artists rose brightly to the challenge.
More about Ballet San Jose »Onegin the evening-length extravaganza is back by popular demand at S.F. Ballet, with a prodigy of gorgeous dancing, stars to corps; an utterly gripping storyline, and a profoundly physical presentation.
More about San Francisco Ballet »ODC Dance presents Program A, which tackles eternal life questions writ large with impressive dancing.
More about ODC Dance Company »In a last dance of sorts, eight dancers perform works by Trisha Brown; offering a demonstration of beauty so shocking, underlining how difficult it is to absorb that its creator is never going to make another dance.
More about Cal Performances »You can’t scotch S.F. Ballet’s vigor and its ever-venturesome choreography, whether old or young.
More »Yuri Possokhov's Rite of Spring is extraordinary, demonstrating his mastery of the rhythms and impulses of the score, conducted and played with beauty and precision by Martin West and the S.F. Ballet Orchestra.
More about San Francisco Ballet »In its centenary year, everyone will talk about The Rite of Spring as music. Maybe we should make time to talk about its more dangerous and electrifying aspect — the dancing.
More "The Rite Stuff" »Nijinsky full-length spectacular, with its explosive, searing essence is clearly one of the closest ballets to Director John Neumeier’s heart.
More about San Francisco Ballet »A dazzling trio of works shows off the San Francisco Ballet in top form. A new Wayne McGregor ballet stuns and amazes.
More about San Francisco Ballet »The welcome return visit of the Joffrey Ballet to Berkeley features a mixed bill, both moving and wondrous, and beautifully danced.
More about Cal Performances »Nevabawarldapece, a new, live dance-and-music-and-spoken-word extravaganza choreographed by Robert Moses, is fitfully brilliant, yet at times hard to read.
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Artistic Director Ashley Wheater leads the venerable Chicago-based Joffrey Ballet into Zellerbach Hall Jan. 26-27 with Christopher Wheeldon’s After the Rain, Edward Liang’s Age of Innocence and Kurt Jooss’ antiwar classic, The Green Table.
More about Cal Performances »In the S.F. Ballet's opening night of the Nutcracker, a beautiful stage was set, and standout dancers delighted the crowd with this seasonal classic.
More about San Francisco Ballet »A new ballet born at Ballet San Jose includes a little playlet within the ballet that is sometimes a headscratcher, but nevertheless delivers the magic that audiences flock to the Nutcracker for.
More about Ballet San Jose »Alonzo King's new evening-length work Constellation takes his Lines Dance Company ballerinas off-pointe and away from the naturalistic environment of last year’s stunning Resin.
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