Jason Victor Serinus

Opera Parallèle’s Trouble in Tahiti is brought to life by an excellent cast and fine instrumental ensemble, and shines as the engaging, moving, and oft-delightful romp that Bernstein intended.

Virtually a year after releasing their delicious recording, Los Pájaros Perdidos, Christina Pluhar and her early music ensemble, L’Arpeggiata, journey to the Mediterranean.

A trailblazing ambient-music conference, with talks and live concerts featuring a range of composers and artists, revs up for its time in the sun, in San Rafael on May 3–5.

The creative bond behind a new oratorio commissioned by the San Francisco Girls Chorus explains the genesis of the work and their interest in women of the Bible.

After two widely touted triumphs at the Bavarian State Opera, the gifted ball of smiling Irish energy known as mezzo-soprano Tara Erraught performs at Weill Hall in the Green Music Center.

Mattias Goerne, one of the great baritone lieder specialists of this or any age, partners with pianist/conductor Christoph Eschenbach in a performance of Schubert’s Winterreise.

Brilliant, rafter-raising performances highlight a recital by seven talented Adler Fellows from the S.F. Opera program.

Jonathan Berger and Dan O’Brien’s double-bill world premiere of Theotokia and The War Reporter takes advantage of Bing’s architecture and overly resonant acoustic for ... hallucinations.

Garanča’s art song recital in acoustically superior Weill Hall, confirmed her reputation as one of today’s leading mezzo-sopranos, though at times she stayed in her comfort zone.

Vocal coach and accompanist extraordinaire Steven Blier waxes eloquent on how he helps singers make art songs vivid, personal, and sincere.