Jeff Dunn
Jeff Dunn is a freelance critic with a B.A. in music and a Ph.D. in geologic education. A composer of piano and vocal music, he is a member of the National Association of Composers, USA, a former president of Composers, Inc., and has served on the Board of New Music Bay Area. A photomontage enthusiast, he illustrates his own reviews.
Articles by this Author
Over 20 years of making new music, Marin Alsop has taken the Cabrillo Music Festival to illustrious heights.
More about Cabrillo Festival of Contemporary Music »A recent BluePrint concert offered a disconcerting, echoing trope in a major new work offered at the San Francisco Conservatory of Music, just one piece in a series of experimental works that impressed.
More about BluePrint New Music Series »The latest release from the Bay Brass, an ensemble made up of some of the best musicians in the S.F. Symphony, Ballet, and Opera orchestras offers attractive compositions and more than belies prejudices often conjured up by brass ensembles, with excellent playing and first rate sonics.
More about Bay Brass »The S.F. Symphony and Anne Sofie von Otter dressed up their offerings with immensely enjoyable performances of works by Hindemith, Brahms, and a panoply of Scandinavian composers.
More about San Francisco Symphony »Three interpreters at Oakland East Bay Symphony's concert on Friday transformed composers’ dreams into art worthy of both praise and concern.
More about Oakland East Bay Symphony »Paul Bowles, once described as “famous for not being famous,” was an allusive artist of elusive categorization. On Saturday, Nicole Paiement’s Blue Print project began its ninth season, with a intriguing focus on Bowles’ music.
More about BluePrint New Music Series »Our very own San Francisco Symphony have come up with an excellent performance of the most famous symphony of them all. This release is worth making some sublime noise about.
More about San Francisco Symphony »When lauded strangeness becomes vastly public, it may herald a change of fashion. Such seem to be Simone Dinnerstein’s Bach interpretations, which bring elements of romanticism back into baroque performance practice. Bach: A Strange Beauty is will not disappoint her new-found fans, nor will it convince her detractors.
More »Circus Maximus is a scream, an impressive piece of workmanship, if a debatable work for the ages. In its latest incarnation as a high-definition Blu-ray disk, it’s a first-class device for showing off your latest surround-sound system.
More »What better way to usher in a new year than to have fun with that funmost of instruments, the clarinet? Those who love William Bolcom’s Graceful Ghost reinvention of ragtime will take instantly to the first four cuts of this new Harmonia Mundi release.
More »Vision and a certain sense of rightness made for an exceptional evening at last Wednesday’s San Francisco Symphony subscription concert: Three masters, Music Director Michael Tilson Thomas, guest violinist Gil Shaham, and principal trumpet Mark Inouye, provided hole-in-one performances.
More about San Francisco Symphony »Supercharged love ... That’s what Music Director Joana Carneiro programmed in two works for the Berkeley Symphony Orchestra. But it was the sultry presence, superb expressiveness, and fine singing of mezzo-soprano Rachel Calloway that really heated up the sea of love to bubbly.
More about Berkeley Symphony »The French Ensemble Zellig focuses on innovation and experimentation and is fully at ease traveling through time and musical styles. In its West Coast debut on Sunday night it was a breath of fresh air.
More about Cal Performances »This symphony orchestra is so old, Franz Schubert is one of the first violinists. So what can be learned from experiencing the first visit from the Dresden Staatskapelle in Davies Symphony Hall on Sunday, an ensemble rated as one of the top five in Europe, with a 462-year-old pedigree, and it lays before you a Schuman-Beethoven-Brahms program right from their sweet spot in musical history?
More »“Recorded Music of the African Diaspora” is the first release of what promises to be a series in a partnership between Albany Records and the Center for Black Music Research at Columbia College Chicago. This series starter can be strongly recommended for the Wilson song cycle.
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