Rebecca Wishnia

Aficionados celebrate an eclectic range of new (and even old) electronic music at the 18th annual festival.

Sometimes concert extras don’t add that much.

George Lewis’s Afterword, an opera has an original premise, and some beautiful music, but there’s one big fly in the ointment.

Strong new music performed by Splinter Reeds, Kronos Quartet, and Ramon & Jessica’s sextet highlight a solid program.

Catherine Cook and the Music of Remembrance Ensemble deliver powerful music inspired by Holocaust horrors.

In one of her final concerts with the ensemble, Nadja Salerno-Sonnenberg leads a program of NCCO-commissioned works, including a standout composition by Ellen Taaffe Zwilich.

It’s an unusual mix of instruments, but Ensemble Mise-En makes it work.

The solo cellist presented strong works by Augusta Thomas Read, Missy Mazzoli, Anna Clyne, and Gity Razaz.

The long-running European ensemble is a new sensation here, and for good reason.

Despite four delightful, beautifully performed works, the program left the listener wanting more.