opera Reviews

May 13, 2008

Lady in the Dark

By Michael Zwiebach

Martinez Opera presents a creditable production of Madama Butterfly.

The Duke’s Exotic Consort

By Kwami Coleman

Duke Ellington's opera comique Queenie Pie springs to glorious life in Oakland Opera Theater's restoration.


May 6, 2008

Scaling the Bartók-Ravel Summit

By Janos Gereben

Doing justice to an unusual double bill is child’s play for Berkeley Opera.

Charming Voyage

By Lydia Mayne

An effervescent, loving, operatic version of The Little Prince


April 22, 2008

A Rippin’ Pippin

By Anna Carol Dudley

Pocket Opera proves ever-constant with its delights in its mounting of Così fan tutte.

Darkness and Light

By Lydia Mayne

A charming production of Mozart's Magic Flute at Opera San José.


April 15, 2008

Young Singers Reanimate History

By Janos Gereben

The San Francisco Conservatory revives an opera from 17th-century Venice.


March 18, 2008

For the Love of Donzetti

By Janos Gereben

Berkeley Opera presents a buoyant Elixir, featuring an exciting soprano discovery.

Production With Two Faces

By Lydia Mayne

A new Bohème scores when it concentrates on the music.


March 11, 2008

One Hell of a Funny Opera

By Janos Gereben

Offenbach’s most popular operetta gets a boost from Donald Pippin’s riotously stylish libretto translation.


February 19, 2008

Instruments Sing in West Bay Così

By Janos Gereben

Direction in the pit and onstage lift West Bay Opera’s Così.


January 15, 2008

A Chinese Classic in European Style

By Angela Hsiao

The China National Opera ventures a new version of a famous love tragedy.


December 4, 2007

A Victim of Virtue

By James Keolker

San Francisco Opera's Madama Butterfly is a soul-searing, richly satisfying production.


November 27, 2007

A Radical Rake

By John Bender

Glamour and romance elevate San Francisco Opera's updated Rake's Progress to a new level of greatness.


November 20, 2007

Compulsively Being Werther

By Scott MacClelland

Opera San José's production of Werther is "all there."

Maddening Macbeth

By Kathryn Miller

San Francisco Opera’s latest production trades on foolishness in the guise of insight.


November 13, 2007

A Swallow in Full Plumage

By James Keolker

The San Francisco Opera takes flight with the fascinating Angela Gheorghiu starring in the long-lost La Rondine.


October 30, 2007

Letter From Seattle

By Robert P. Commanday

Seattle Opera captivates with searing visuals and music in Iphigénie en Tauride.


October 16, 2007

Small Company, Grand Passion

By Janos Gereben

West Bay Opera knocks it out of the park in a Cav/Pag doubleheader.

Vivid New Magic Flute

By Anna Carol Dudley

San Francisco Opera offers a beguiling take on the Mozart classic.


October 9, 2007

Battle Hymn of a Divided Republic

By Lisa Hirsch

San Francisco Opera's premiere of Philip Glass' Appomattox triumphs in spite of the music.

Truth and Ambiguity

By Jason Victor Serinus

Oakland Opera Theater works out the kinks in its new space, and in its Turn of the Screw.


October 2, 2007

Racy Paean to Love

By Scott L. Edwards

San Francisco Renaissance Voices frees William Boyce's Solomon from relative obscurity.


September 25, 2007

The Shepherd King Reigns

By Michael Zwiebach

Philharmonia Baroque Orchestra illuminates a watershed Mozart opera.

Music Triumphs in Tannhäuser

By Janos Gereben

San Francisco Opera's production achieves musical, if not directorial, greatness.

Small-Scale Tales

By Lisa Hirsch

San Francisco Lyric Opera's Tales of Hoffmann shows that good things can come in tiny packages.


September 11, 2007

Glittering Season Opener

By Olivia Stapp

Opening night at the S.F. Opera kicks off the season with glamour and excitement.

Vocal Up-and-Comers

By Scott MacClelland

Bright new talent gets a chance to shine in Opera San José's Lucia di Lammermoor.


September 4, 2007

Opera by the Auto Mall

By Janos Gereben

The Fremont Opera bows with a brilliant Bohème.

Fatally Wounded

By Jeff Dunn

A local opera premiere fails to bring the Lincoln assassination to life.


August 21, 2007

Merolini Make It All Shine

By James Keolker

San Francisco Opera Merola Program strikes gold in its anniversary year grand finale.


August 14, 2007

Resurrecting a Haydn Gem

By Rebekah Ahrendt

City Concert Opera Orchestra unearths a Hadyn opera worth bringing to a desert island.

Whose Town?

By Janos Gereben

Festival Opera's Our Town makes its West Coast premiere.


August 7, 2007

Farce on a Texas Ranch

By John Bender

Hotel Casablanca quotes liberally from operas past, but its music remains at odds with the comedy.


July 24, 2007

Super Production in Castro Valley

By Thomas Busse

Trinity Lyric Opera nails its production of The Tender Land.

At War in Berkeley

By Anna Carol Dudley

Berkeley Opera's production of Aïda updates the setting but remains true to Verdi.


July 17, 2007

A Fairy-Tale Cinderella

By John Bender

The Merola Program's La Cenerentola sparkles with an interpretation that gets to the emotional core of an otherwise coldly satiric opera.


July 10, 2007

Carmen From Afar

By Jason Victor Serinus

Festival Opera learns that a Carmen with all the necessary wattage — from cast and costumes to playing and conducting — can still turn out a low-intensity production.


June 19, 2007

An Iphigenia for Today

By Kathryn Miller

S.F. Opera's modernized Iphigénie updates a revolutionary composer's work.

Power to the People

By Jason Victor Serinus

Oakland Opera Theater unveils two operas-to-be.


June 12, 2007

Silver and Gold

By Janos Gereben

S.F. Opera's Rosenkavalier is a simple, straightforward, and honest standout.


June 5, 2007

The Triumph of the Impossible

By Lisa Hirsch

S.F. Opera's brilliant, convincing Giovanni.


May 29, 2007

Lighting a Fire Under Lucia

By Michael Zwiebach

Talise Trevigne shines in San Francisco Lyric Opera's Lucia di Lammermoor.


May 15, 2007

A Mezzo Reaches for the Sky

By Janos Gereben

Music at Meyer season finale sparkles with Kendall Gladen, Heidi Melton, and other Merola and Adler Fellows.


May 8, 2007

A Queen With an Empty Deck

By Jason Victor Serinus

Donald Pippin's Pocket Opera production of Queen of Spades is rich on pomp, poor on casting choices.

A Carmen Without the Drama

By James Keolker

Bizet's dramatic opera is slow to ignite, but S.F. Opera Adler Fellows fan the flames in the final acts.

A Mismatch for the Lovelorn

By Michael Zwiebach

A good idea gone wrong: Shakespeare and Gounod share the stage at the Berkeley Opera and an amorous production becomes amorphous.


May 1, 2007

The Unique Charms of Pippinized Opera

By Anna Carol Dudley

Donald Pippin's magic is on display yet again in a successful joint production of The Merry Wives of Windsor with Notre Dame de Namur University.


April 3, 2007

Concentrated Handel

By Kathryn Miller

Donald Pippin's cherished puns aren't lost in translation in Pocket Opera's Italian-sung Flavio.

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