The new executive, who comes to Los Angeles from the Dallas Symphony, ticks all the boxes.
Ryan Bancroft will lead the SF Symphony in Alaraph, Chin’s new piece inspired by the phenomenon of heartbeat stars.
Glennie has paved a remarkable path — as a soloist, as a deaf performer, and as an advocate for connection above all else.
The South Korean conductor chats with SFCV about success, perseverance, and knowing when to take a chance.
The composer’s rarely performed Credo shares a concert with works by J.S. Bach and a premiere by Zanaida Stewart Robles.
A quirky contemporary double bill from Opera Parallèle serves up both laughs and emotionally powerful moments.
As Flora, mezzo-soprano Sarah Saturnino, one of the company’s young artists, brings her background as an intimacy director to the production.
The pioneering conductor chats with SFCV ahead of her long-overdue debut at the Metropolitan Opera this spring.
Laura Karpman’s Balls, about the famous 1973 tennis match, is one half of an upcoming sports-themed double bill from Opera Parallèle.
Whether it’s on tour with the SF Symphony or in residence with the Berlin Phil, Batiashvili knows she can live in the music.
