Cahill’s concert is based on her long-standing interest in the form and in commissioning new music.
The artistic couple and their tempestuous love is the subject of Gabriela Lena Frank and Nilo Cruz’s new work, now at SF Opera.
The American music director reflects on her trailblazing career, important mentors, and the value of expanding the canon.
At the SF International Arts Festival, Romano and friends present a program of original and transcribed music for the traditional instrument.
There will be an added poignancy to the San Francisco Symphony’s performances of Adriana Mater this week.
Director Peter Sellars helms the concert version of the opera at the SF Symphony, with Esa-Pekka Salonen conducting.
The long-awaited premiere of Matthew Welch’s Tomorrow’s Memories, drawn from the writings of a young Filipina immigrant, is set for June.
Julia Wolfe’s new oratorio makes a passionate feminist argument that’s musically and theatrically unrelenting.
The Swedish soprano returns to SF Opera to tackle the challenging character of the Dyer’s Wife in Die Frau ohne Schatten.
The singer-songwriter discusses her collaboration with string quartet Brooklyn Rider, celebrating the power of beauty as a political act.
