Reviews

Janice Berman - February 27, 2013

Yuri Possokhov's Rite of Spring is extraordinary, demonstrating his mastery of the rhythms and impulses of the score, conducted and played with beauty and precision by Martin West and the S.F. Ballet Orchestra.

Jason Victor Serinus - February 25, 2013

Even though a bit hampered, soprano Susanna Phillips charms with her distinctive recital of songs by Berg, Chausson, Messiaen, Granados, and Schubert.

Leon Chisholm - February 25, 2013

It takes a family to make a musical dynasty, as the innumerable Bach composers proved, with works well-performed by the California Bach Society.

David Bratman - February 24, 2013

The Escher Quartet comes to rescue to fill a program in San José, with its amply satisfying playing of Beethoven quartets.

Jeff Dunn - February 24, 2013

Thriving in an area blessed with myriad composers, the Kronos Quartet chooses some novel ones, plus a long-term arranger.

Jeff Kaliss - February 24, 2013

A S.F. Chamber Orchestra program transverses three centuries of music with consistent liveliness, grace, and skill.

Anatole Leikin - February 22, 2013

Uneven playing, despite her brilliant pianistic gifts, marks Valentina Lisitsa’s latest CD.

Jason Victor Serinus - February 20, 2013

Despite a small turnout, Ricky Gordon's Green Sneakers is a major achievement, unflinching in chronicling the decline and death from AIDS of his partner Jeffrey Grossi, played magnificently by Jesse Blumberg. 

Be'eri Moalem - February 18, 2013

With brilliant bow technique and uncommon musical mastery, violinist Leonidas Kavakos dishes up a bounty of Beethoven.

Georgia Rowe - February 17, 2013

Ten years after its first production, Golijov’s dreamlike Ainadamar made its long-awaited Bay Area premiere with a stellar cast in a stunning new production by Opera Parallèle.