“This is clearly a victory for everyone — not just Hollywood, but everyone who uses the Internet,” said Chris Keyser, president of the Writers Guild of America, West. “It is a critical moment in the ongoing fight for free expression and robust competition.”
“In making the transition from an age of scarcity to an age of glut, the nature of fame itself undergoes a change. One sign of the difference is that it would be hard to find a poet, in the 21st century, who openly claims to write for glory, fame, or immortality. Yet the idea that great poetry was the surest way to achieve fame and outwit death has been very long-lived.”
“Remember that first question: What is web writing in 2015? Is it still based on the author model? If you enjoy watching a writer’s mind work over time (or you enjoy having that freedom as a writer), is there still a way to do that? Or is the writer’s-voice-driven Internet over, forever, everything’s atomistic now and it’s no longer possible to scrape an audience together that way even if you want to?”
“The Stedelijk Museum in the Second World War” recounts the daring ways in which the museum’s employees fought Nazi censors after Germany conquered the Netherlands in May 1940. But the show also features 16 works in the permanent collection by artists including Paul Klee, Wassily Kandinsky and Henri Matisse that the museum says it might not rightfully own.
“The concept behind the Lab — a cadre of designers embedded in the mayor’s office, with the power to revive public spaces around the city and launch a broad campaign of civic engagement — was unique in North America, and almost unimaginable in conservative San Diego. It seemed to answer the long-held desire of architects, especially, for designers to play a role in the decision-making that shapes cities.”
“Of course the heightened visibility of plays written by women is welcome. But all over the country, even at venues which are attempting to make female playwrights’ voices heard, there is often a gendering of theatre spaces when it comes to writers and directors.”
Boston Court Performing Arts Center seeks a full-time Development Assistant to assist with planning, administering, and implementation of all fundraising activities, other special projects and events. Candidate should have at least 2 years experience for a performing arts organization. Ideal candidate will have a minimum BA/BS university degree, customer service skills, superb problem solving skills and attention to detail. Excellent verbal and written communication skills required. General office administration and computer skills required. Will be required to work evenings and weekends as needed. Please email cover letter, resume, and salary history to Hillary Metcalf, Managing Director at [email protected].
The Theatre @ Boston Court is an equal opportunity employer.
Just days after the extremists burned the rare books in Mosul’s library, they went rampaging through the city museum’s collection of Akkadian and Assyrian statues, smashing the works with sledgehammers and drills. It seems, though, that many of the destroyed pieces weren’t originals. (includes video)
“A Picasso painting missing from Paris for more than a decade resurfaced in the United States, where it had been shipped under false pretenses as a $37 holiday-themed ‘art craft.'”
“Following one of the most intense – and bizarre – lobbying battles in the history of modern Washington politics, the Federal Communications Commission (FCC) passed strict new rules that give the body its greatest power over the cable industry since the Internet went mainstream.” Said the FCC chairman, “This is no more a plan to regulate the Internet than the First Amendment is a plan to regulate free speech.”
“There are three major principles that Internet-service providers – like Comcast, AT&T, Time Warner Cable, and Verizon – have to follow when sending data from their networks to your computer:”
“Jelly’s Last Jam was the first musical written and directed by an African American that was not simply a toe-tapping entertainment with happy, singing people of color. … [It] was akin to a Brancusi sculpture of 50 years in the life of an arrogant, racist, braggadocio genius.”
“Roland Valliere, MSO’s president and CEO, said it was no surprise. … Her decision comes at a time when the orchestra has been struggling financially. The MSO announced in January of last year that it was deep fiscal trouble, and it cut staff and expenses to survive the 2013-14 season. It drastically reduced offerings for this season, and musicians took a 38 percent pay cut.”
“They were all teenagers then, charged as adults for their violent crimes. At the D.C. jail, they found solace in a book club, reading memoirs and reciting poems they had written. Over the past year, they finally came home. They see themselves as reformed men who did dumb things as kids but who know that others may have trouble forgiving.”
“In the first two weeks of January, more than thirty Turkish publishers released translations of the 1943 novella. … In a newspaper books supplement the other week, almost half the adverts were for The Little Prince. One publisher put out a mandarine-flavoured edition. Another released three different versions, to show the differences in translation trends. There is a 3D pop-up edition.”
“[Tony] Harrison, 77, wrote his first poems 70 years ago, and has since written a number of films and plays. V., which describes the offensive language graffitied on Harrison’s parents’ grave, contains 25 uses of the word ‘f***’ and 17 uses of the word ‘c***’.”
The shortlist for the Diagram prize includes, among others, Divorcing a Real Witch, Nature’s Nether Regions, Strangers Have the Best Candy, The Madwoman in the Volvo: My Year of Raging Hormones, and The Ugly Wife Is a Treasure at Home.
“Taken with cinema, but not taken in by it, … [Godard] is also the brother from another planet, at once straightforward and cryptic, an epistemologist of cinema, wondering why the film frame became a square and why lenses are round. … What to make of the Godardian mind? You might say that, as prolific as he is, Godard suffers from the attention-deficit disorder of genius.”
“‘Can God lie?’ proved an important question for more than 1,000 years because it compelled theologians to consider in the starkest terms the nature of God’s relationship to the world. … These are important questions, but they also proved difficult to answer because the evidence seemed to contradict itself. … Far from being a mere curiosity of the past, concerns about God’s deceptions proved central to the Scientific Revolution and therefore to the modern world.”
Thomas Kren, the associate director for collections (not to be confused with Thomas Krens, the controversial longtime director of the Guggenheim), will depart in October. He’ll be replaced by Richard Rand, senior curator of paintings and sculpture at the Clark Art Institute in Williamstown, Mass.”