August 2, 2011
Shakespeare lovers don't necessarily love what musicians and librettists do to his plays, and composers struggle under the weight of a full pentameter line, heavy with imagery and some of the most world-famous sentences ever written. And yet, there are by now well over 200 operas based on the Bard of Avon because the rich characters and wild stories are too great a temptation to resist. Though some of the librettos on this list are distinguished more by what they remove than what they retain, all drew inspired music from their composers, testament enough to the enduring power of the originals.
Giuseppe Verdi: Verdi's version is proof that there is such a thing as a perfect opera.
Giuseppe Verdi: The Verdi-Boito version this time, which manages the startling trick of being faithful to Shakespeare and many Italian opera conventions too. No one, including Shakespeare, ever caught Desdemona's anguish so perfectly.
Thomas Adès: Not yet a decade old, Thomas Adès opera takes on the play from a slightly novel angle and jettisons most of the original language. "Full of airy beauty and eerie power," in Alex Ross' apt phrase.
Hector Berlioz: Berlioz' delightful opera jettisons most of the plot of Shakespeare's Much Ado About Nothing, yet its score continues to win laurels and performances.
Henry Purcell: Henry Purcell's "demi-opera" is rarely heard in its adapted-from-Shakespeare context, but the score is brilliant and still performed.
Leonard Bernstein: OK, it's not a proper opera, but it's clearly the most popular (and best) theatrical adaptation of Shakespeare's Romeo and Juliet.