S.F. Ballet's Upcoming Season Leans on the Russians

Janos Gereben on March 27, 2018
San Francisco Ballet in Don Quixote, opening the 2019 season | Credit: Erik Tomasson

Friends and others ensconced in Davies Hall, you who are often reluctant to cross Grove Street to the War Memorial because you prefer to hear music more than watching dancing to it, harken to this good news.

San Francisco Ballet’s next season is chock-full of great music, performed by an excellent orchestra. Culling from the information released today about the 2019 repertory season’s 58 performances:

Russia is in the forefront, as usual for ballet, in the music and original choreography of two of the season’s full-length works come from there:

Program I, opening on Jan. 25, is Don Quixote, set to Ludwig Minkus’s music by S.F. Ballet’s Artistic Director Helgi Tomasson and Yuri Possokhov (original choreography by Alexander Gorsky after Marius Petipa). Progam IV, opening March 9, is The Sleeping Beauty, to one of Peter Ilyich Tchaikovsky’s popular scores. Tomasson’s choreography is an updating and revision of Petipa’s 1890 original.

Natasha Sheehan in Helgi Tomasson's The Sleeping Beauty | Credit: Erik Tomasson

Tchaikovsky’s best-known music, for Nutcracker, has been heard regularly for decades at some 30 performances per season by the company, which gave the fundraising classic its U.S. premiere in 1944. It runs Dec. 12–29, 2018. Following the 2019 opening night gala on Jan. 23, the repertory season consist of eight programs, from Jan. 25 to May 12. The season announcement has an unusually high number of TBA’s — five slots are “to be announced.”

Russian-American Lera (Valeria Lvovna) Auerbach is the composer for Program VII, a reprise of John Neumeier’s full-length ballet, The Little Mermaid, opening on April 19.

Yuan Yuan Tan in Neumeier's The Little Mermaid, which returns next year | Credit: Erik Tomasson

One of the greatest contemporary Russians of them all will be well represented in the season-closing Program VIII, the return of Alexei Ratmansky’s Shostakovich Trilogy, each of its three acts named after Shostakovich’s music used in it: Symphony No. 9, “Chamber” Symphony, and Piano Concerto No. 1.

Program II, opening on Feb. 12, offers George Balanchine’s Divertimento No. 15 (Mozart), Benjamin Millepied’s Appassionata (Beethoven’s Piano Sonata No. 23 in F Minor), and a work to be announced.

Program III, from Feb. 14 on, will have Tomasson’s The Fifth Season, set to the music of Karl Jenkins; Harald Lander’s Etudes, to piano music by Carl Czerny (arranged by Kundage Riisager); and another encore work to be announced.

Program V, opening on March 27, still has two works to be announced in addition to a new ballet by Possokhov.

Program VI, beginning on March 29, has a reprise of Justin Peck’s Rodeo: Four Dance Episodes, set to the music of Aaron Copland, but different from the eponymous 1942 work by Agnes de Mille. A new ballet by Liam Scarlett and an encore work are still to be announced.

San Francisco Ballet in Peck's Rodeo: Four Dance Episodes, to be encored in the next season | Credit: Erik Tomasson

Did you enjoy the article?

Sign up to our weekly newsletter to receive the latest articles every Tuesday