Jeff Dunn - December 9, 2008
Many times people have asked me, shaking their heads: “How can anyone like that [dissonant, earsplitting, academic, boring, pointless, random — pick your adjective] modern music?” But the fact is, incredible as it may seem to some traditional classical music fans, many people do, as evidenced by the crowd filling the risers to near capacity in the Yerba Center for the Arts Forum Monday evening. Th
Rebekah Ahrendt - December 9, 2008
Philharmonia Baroque Orchestra appeared in a different guise Saturday at Berkeley's First Congregational Church.
Michelle Dulak Thomson - December 9, 2008
It's not often that anyone gets to salute a major composer's centenary while he's still there to appreciate it. That Elliott Carter's 100th birthday this week didn't get so much as a nod from any of the Bay Area's many orchestras is understandable, if disappointing.
Jessica Balik - December 9, 2008
Initially, it might seem unimaginable that a silent film from the late 1920s could occasion a West Coast premiere of a musical score. But when the score is one composed for the film, then the situation becomes feasible, indeed. The film is Metropolis, a Weimar Republic work directed by Fritz Lang in 1927.
Janos Gereben - December 9, 2008
My first encounter with the piano came from a Tom and Jerry cartoon, where Tom plays Liszt's Hungarian Rhapsody No. 2. I had no idea what it was, but it made me want to play the piano.
Lang Lang was 2 years old when that historic event occurred. A few months later, he started playing the piano, at age 5 he won his first contest ...
Heuwell Tircuit - December 9, 2008
The San Francisco Bach Choir came up with an unusual idea for its Sunday afternoon concert in Calvary Presbyterian Church: a program, titled "Aleluya! A Candlelight Christmas," devoted largely to Christmas music created mostly in Spain or Latin America.
Georgia Rowe - December 9, 2008
At his brief but beguiling vocal recital Wednesday evening at the Hotel Rex in San Francisco, Thomas Glenn remarked that he had considered calling the program “An Intimate Evening With Thomas Glenn.” He’d decided against it, he said. But the title wouldn’t have been far off.
Jonathan Wilkes - December 9, 2008
I don't understand the impetus behind many of the "themed" new music programs that are so prevalent. In 2006, for example, San Francisco Contemporary Music Players offered a program called "Blood and Glamour," which, despite some enjoyable electroacoustic music, featured neither blood nor glamour.
Noel Verzosa - December 9, 2008
Not the least fascinating aspect of Other Minds' series of Saturday performances at San Francisco's Church of Swedenborg, at least for me, was the discovery that there is a Church of Swedenborg.
Jaime Robles - December 9, 2008
It's often remarked that Benjamin Britten was fascinated by innocence, and especially the fall of innocence, yet it's seldom noted that he was also fascinated by the supernatural. Maybe it's more accurate to say that his music often evokes the supernatural — shimmering through strange dissonances and ethereal harmonies.