Reviews

Jason Victor Serinus - March 25, 2008
Lovefest, joyful reunion, royal tribute — such descriptions merely begin to tell the tale of the U.S.
Heuwell Tircuit - March 25, 2008
Thunder and lightning flashed from the piano in Herbst Theatre last Tuesday night as Canadian virtuoso Louis Lortie presented a sort-of-Liszt program, under the auspices of San Francisco Performances. Actually, most of the evening was built around Franz Liszt's great admiration for Wagner.
Anna Carol Dudley - March 18, 2008
Cleopatra, in the person of Isabel Bayrakdarian, stormed into the First Congregational Church of Berkeley Saturday night, in the company of the Philharmonia Baroque Orchestra.
Jason Victor Serinus - March 18, 2008
Great music has a way of repeating itself, especially in recital. Just three months ago, SFCV carried my review of a Cal Performances recital by baritone Mariusz Kwiecien that included Ravel's final song cycle, Don Quichotte à Dulcinée, and Robert Schumann's Dichterliebe.
Michelle Dulak Thomson - March 18, 2008
Competitions play a smaller role in jump-starting the careers of chamber ensembles than they typically do in launching instrumental soloists. Even so, if your ensemble is something as specialized as a string trio, it doesn't hurt to have a high-profile competition victory or two to your credit.
John Lutterman - March 18, 2008
The Takács Quartet returned to Hertz Hall Sunday for another installment in its all-Beethoven cycle, under the auspices of Cal Performances. It was great to see that the Quartet has developed an enthusiastic Bay Area audience, one willing to forgo a gorgeous afternoon to delve into the intricacies of two of Beethoven's most challenging quartets.
Georgia Rowe - March 18, 2008
Transfer of power is never easy, but the Berkeley Symphony has made the process one of the most interesting and edifying developments of this year’s music season. Soon after Kent Nagano declared his intention to step down as music director at the end of his 30th season in 2009, the organization announced that it would hold two years of on-podium auditions to determine his successor.
Scott Cmiel - March 18, 2008

Manuel Barrueco has been known as one of the world’s foremost classical guitarists since 1974, when, at 22, he became the first guitarist to win the Concert Artists Guild Award. Since then, his reputation has continued to grow. A large and enthusiastic audience was on hand on Saturday at Herbst Theatre to hear his substantial program, presented by San Francisco Performances and the Omni Foundation for the Performing Arts.

Jason Victor Serinus - March 18, 2008

Three cheers for Michael Morgan. What he and his Oakland East Bay Symphony may lack in subtlety, refinement, and nuance, they more than balance with passion and commitment. How gratifying it was to hear him announce, during a postintermission fund-raising spiel, that a full 25 percent of his orchestra's budget is devoted to educational outreach.

Janos Gereben - March 18, 2008
L'elisir d'amore (The elixir of love) is not only one of most melodious and rhythmically exciting works in all opera, it also testifies to its composer's defiant humanity.