Reviews

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Review

Baroque to Borikén

Michael Katz - March 11, 2008
It's hard to dislike the San Francisco Chamber Orchestra's stated mission of "bring[ing] the immediacy and intimacy of music for small orchestra and chamber ensemble to audiences of all ages." It's even harder to dislike its motto of "fresh, fun, first-class, and free" — talk that they walk by presenting professional-caliber concerts at an admission charge of $0.
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Review

One Hell of a Funny Opera

Janos Gereben - March 11, 2008
When Jacques Offenbach's Orpheus in the Underworld was first performed in Paris, in 1858, the famed critic Jules Noriac, of mighty Le Figaro, stammered with delight: "Unheard-of. Splendid. Outrageous. Graceful. Charming. Witty. Amusing. Successful.

Striking Contrasts

Jeff Dunn - March 4, 2008
When does 180 miles equal light-years? When you hear Sibelius’ Seventh Symphony and Shostakovich’s Ninth on the same concert, and realize that the composers’ hometowns (Järvenpää and Leningrad) are that far apart from each other. The symphonies are profound, and profoundly different.
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Review

Winning Ways

Michelle Dulak Thomson - March 4, 2008
Viewed against the more robust concert scenes in San Francisco, the East Bay, and the Peninsula, the classical-music pickings in Marin County can seem slender.

An Ayre of Magic

Anna Carol Dudley - March 4, 2008
Dawn Upshaw flew in with eighth blackbird to sing a concert Saturday night in Berkeley's Zellerbach Hall. The eighth blackbird sextet and six equally remarkable players formed the Orquesta Los Pelegrinos, which joined Upshaw in a stunning performance of Osvaldo Golijov's Ayre. The 11 songs comprising Ayre (air/song) form a rich stew of languages and musical styles.
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Review

An Oratorio Lit From Within

Edward Ortiz - March 4, 2008
There is something both intimate and grand about Edward Elgar’s not-oft-performed oratorio The Dream of Gerontius. Perhaps, it’s the challenge of reconciling those dissimilarities that makes this work, written in 1899-1900, a rarity.
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Review

Restorative Pianism

Jerry Kuderna - March 4, 2008

Yundi Li presented a recital of tried and true audience favorites at Herbst Theatre on Sunday, under the auspices of San Francisco Performances. Some of them he has played here before. I went to the theater hoping to gain some insight into the artistic imagination of this acclaimed young artist. I left dazzled, puzzled, and wishing for more substance along with the pyrotechnics that these days seem to be the measure of all things pianistic.

Aiming for the Stars

Jason Victor Serinus - March 4, 2008
In programming an American Bach Choir concert with the ambitious title "Vocal Visionaries," conductor Jeffrey Thomas set his sights high. Not only did he choose choral music that, in his opinion, displays the transcendent, visionary gifts of its composers, but he also strove to transport his audience with radiant vocalism.
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Review

Sweet Reveries on a Sunny Day

Rebekah Ahrendt - March 4, 2008
What a perfect day. On Saturday I had the pleasure of listening to the Miró Quartet at the Florence Gould Theater of San Francisco's Legion of Honor. All my regrets about missing part of a beautifully sunny afternoon were dispelled by the performance of this first-rate ensemble.

Earth, Wind, and Fire

Thomas Busse - March 4, 2008
Monday night’s concert at the odd sanctuary of San Francisco’s St. Gregory’s Episcopal Church by the chorus Volti, under the direction of Bob Geary, offered an intriguing evening of new choral works. The first half of the concert was largely given over to a performance from conductor Geary’s Piedmont Children's Choirs.