Reviews

Young Man in a Hurry

Jonathan Rhodes Lee - February 19, 2008

An enthusiastic crowd packed Berkeley’s MusicSources Friday night to witness the U.S. debut of French harpsichordist Benjamin Alard. The buzz in Berkeley was no surprise, reflective of the enthusiasm Alard has engendered since winning first prize at the 2004 Bruges harpsichord competition when he was only 19 years old.

Bach Among the Folkies

Michael Katz - February 19, 2008

The classics are invading Berkeley's venerable folk-music coffeehouse, the Freight and Salvage. It started with one harmless Monday night per month. But on Feb. 12, the Freight added a second classical show for leap month: Solo Bach Night. Where will it all end?

Controlled Pyrotechnics

Anatole Leikin - February 12, 2008

Although Yuja Wang's recital program Sunday at Herbst Theatre was not the longest I have heard, it was definitely one of the more technically demanding and emotionally intense. The 20-year-old virtuoso played three sonatas in a row: Liszt’s monumental B minor; Scriabin’s Sonata-Fantasia, Op. 19; and Bartók’s Sonata from 1926.

Reclothing the “Emperor”

Michelle Dulak Thomson - February 12, 2008

In the mid-1980s, when period-instrument bands began venturing out of the Baroque into music of first the late 18th and then the early 19th centuries, many had names at embarrassing variance with the sort of music they were playing.

Review

Out There ... But Where?

Jason Victor Serinus - February 12, 2008

As Bang on a Can approaches its 20th anniversary, the group's founders — composers Michael Gordon, David Lang, and Julia Wolfe — can rightly rejoice that their creation has become a major presence in the new-music scene. Dedicated to "commissioning, performing, creating, presenting, and recording contemporary music" (that's what the official bio says), the organization has expanded to encompass th

Review

Triple Threat

Jeff Dunn - February 12, 2008

An ominous postcard greeted San Francisco Symphony subscribers a month ago.

Review

White-Hot, and New

Lisa Hirsch - February 12, 2008

Reputations are funny things. In the classical music world, technical virtuosity can lead to charges of superficiality or emotional coldness. Some listeners, especially opera fans of a particular ilk, prefer guts and heart to good intonation and steady tone. The great Jascha Heifetz had a reputation for playing with more technical perfection than musical soul; today, both Maurizio Pollini and the Emerson String Quartet have sometimes been labeled cold.

Grand Tour of the Unorthodox

Heuwell Tircuit - February 12, 2008

An encouragingly large and enthusiastic audience turned out Monday evening in Herbst Theatre for a serious, handsomely chosen program of new chamber music presented by the expanded Earplay ensemble.