Ilana Walder-Biesanz

Ilana Walder-Biesanz reviews opera and theater for San Francisco Classical Voice, Opera Online, Bachtrack, and Stark Insider. She studied in England as a Gates-Cambridge Scholar (European Literature and Culture) and in Germany as a Fulbright Scholar (theater studies). 

Articles By This Author

Ilana Walder-Biesanz - November 6, 2017

Brilliant design and direction support a superb cast and an outstanding performance by tenor Michael Fabiano.

Ilana Walder-Biesanz - October 16, 2017

The legendary singer is only one reason to see these powerful Verdi and Bizet productions.

Ilana Walder-Biesanz - September 25, 2017

Glittery sets and costumes aren’t enough to save this tired production.

Ilana Walder-Biesanz - June 23, 2017

Mason Bates’ opera is designed to use both high-tech and traditional operatic ideas to enter the inner world of the mercurial co-founder of Apple, Inc.

Ilana Walder-Biesanz - June 2, 2017

The baritone created something special out of a shopworn production.

Ilana Walder-Biesanz - February 13, 2017

The lighthearted opera packs a serious, newly relevant punch.

Ilana Walder-Biesanz - November 7, 2016

Leslie Swackhamer’s revival of the Jun Kaneko production at S.F. Opera is as forcefully anti-imperialist as the opera will allow.

Ilana Walder-Biesanz - August 9, 2016

Strong leads, clever staging, and a solid orchestra bring out the best in Handel’s dark satire.

Ilana Walder-Biesanz - June 16, 2016

Leoš Janáček’s powerful music drama gets a thoughtful, musically pungent production.

Ilana Walder-Biesanz - May 31, 2016

Composer Jake Heggie and Librettist Gene Scheer tell stories of camp survivors in an new opera.