Janice Berman was an editor and senior writer at New York Newsday. She is a former editor in chief of Dance Magazine.
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American Ballet Theatre, fresh from its fall season in New York City, brought two programs of mixed repertory to Zellerbach Hall last week, presented by Cal Performances. This was in itself reason for celebration. That the ballets were set to richly varied music proved to be the icing on the cake. The Berkeley Symphony Orchestra played for both programs.
Edward Villella was new to the New York City Ballet when Igor Stravinsky and George Balanchine were in the studio with the dancers, making Agon. It was 1957. "Neither of them talked much to us — it wasn't what they did,” Villella said Sunday, after Miami City Ballet, where he's artistic director, ended its visit to Cal Performances at Zellerbach Hall. “They just rolled up their sleeves, and the energy permeated the room. They had such a deep regard and respect for each other."
Mozart Dances, which finally arrived here via Cal Performances last Thursday, achieved the impossible by exceeding its rapturous reviews. Jane Glover, conducting the Berkeley Symphony Orchestra and joined by Garrick Ohlsson and Yoko Nazaki on piano, gave a performance of warm dynamics and perfect unity. Ohlsson played each of the three Mozart works as if he and the dancers had spent their entire lives together, instead of rehearsing days before.