Jason Victor Serinus

Jason Victor Serinus is a music critic, professional whistler, and lecturer on classical vocal recordings. His credits includes Seattle Times, Listen, Opera News, Opera Now, American Record Guide, Stereophile, Classical Voice North America, Carnegie Hall Playbill, Gramophone, San Francisco Magazine, Stanford Live, Bay Area Reporter, San Francisco Examiner, AudioStream, and California Magazine.

Articles by this Author

Feature Article
December 22, 2009

As we approach the year 2010, downloading music has become as ubiquitous as iPods.

More "Downloading Primer: How to Get the Most From Your Clicks" »
Upcoming Concert
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    December 21, 2009

    What do Elvis, Mozart, and Beethoven have in common? The connection is not what you might expect.

    Besides the fact that all three are dead, Maestro David Ramadanoff had one reason for putting Michael Daugherty’s Dead Elvis and Mozart’s Serenade in D major K. 239 (Serenata notturna) together with Beethoven’s Seventh Symphony on the Vallejo Symphony's Jan. 9 concert.

    More about Vallejo Symphony Orchestra »

    Recital REVIEW
     Cal Performances  The New Depths of Renée Fleming
    December 6, 2009

    Renée Fleming surprised us on Sunday night. Walking onto the Zellerbach Hall stage for her virtually sold-out Cal Performances recital, ensconced in a form-fitting, gorgeous green dress that would be the envy of any prom queen, she looked as beautiful as ever. But no one expected her, after she took her place alongside the piano, to pick up a microphone and address the audience.

    More about Cal Performances »
    Chamber Music REVIEW
     San Francisco Performances Ji Young Yang and Gerald Thompson Shepherdess With a Sword
    December 2, 2009

    When Christine Lim of San Francisco Performances invited former San Francisco Opera Adler Fellow soprano Ji Young Yang to present a one-hour Salon at the Rex, Yang proposed a pairing with her fellow, former Adlerian, countertenor Gerald Thompson. Thus was born a duo recital that began with early music, then embraced the unexpected.

    The duo immediately set the tone on Wednesday night with two works by Purcell.

    More about San Francisco Performances »
    Upcoming Concert
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      December 1, 2009

      A significant homecoming is on the horizon for the Kronos Quartet. On Dec. 13 at UC Berkeley’s Hertz Hall, the astounding Joan Jeanrenaud, who was the quartet’s cellist for two decades before taking her leave over 10 years ago, rejoins her old cohorts for the world premiere of Vladimir Martynov’s Schubert-Quintet (Unfinished). The work was written with a reunion in mind.

      More about Kronos Quartet »

      Feature Article
      November 30, 2009

      Given the large number of fine recordings released in the past year, a first-time visitor to Planet Earth would hardly suspect that the record industry is in the doldrums. Nor will the music lovers on your holiday gift list think anything is amiss, if you present them with one or more of the sonic goodies in the guide that follows.

      For well over a year, SFCV has been publishing reviews of CDs and DVDs. Most recordings that we’ve already covered, which run the gamut from core repertoire to the new and upcoming, would make swell holiday gifts.

      More "A Gift of Song For the Holidays" »
      CD REVIEW
        Sacrificium Cecilia Bartoli: More With Less
      December 1, 2009

      It’s a toss-up as to whether listening to mezzo-soprano Cecilia Bartoli’s spectacular new Decca recording of music written for the star castrati of the 18th century is more exhilarating or exhausting. Many of Sacrificium’s 15 arias, which are stronger as virtuosic showpieces than conveyers of emotional truth, contain more trills, roulades, and impossibly difficult runs than any singer can be rightly expected to generate in the course of a day. 

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      CD REVIEW
        Renée Fleming: Verismo The Truth a la Fleming
      November 24, 2009

      Eyebrows rise at the thought of Renée Fleming, a soprano who has built her reputation on the creamy beauty she brings to lyric soprano roles created by Mozart, Strauss, and others, singing the wrenching verismo repertoire of Puccini, Mascagni, Catalani, Cilea, and others. Verismo is about blood and guts, sweat and suffering, and enough over-the-top singing to sear the makeup off Fleming’s ubiquitous glamour shots.

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      Recital REVIEW
       San Francisco Performances Joyce DiDonato   Banking on Greatness
      November 16, 2009

      I have no greater joy than basking in the artistry of a great singer at the top of her form. Such was my feeling as mezzo-soprano Joyce DiDonato, perfectly accompanied by pianist John Churchwell, began her San Francisco Performances recital Monday at Herbst Theatre. Singing to an eager audience that included many supporters and fans who have followed her ever since her 1997 San Francisco summer in the Merola Opera Program, DiDonato looked every inch the star in the baby-blue, Grecian-style dress and gold-patterned cinch that perfectly complemented her shining blonde hair.

      More about San Francisco Performances »
      CD REVIEW
        Leif Ove Andsnes and Robin Rhode: Pictures Reframed Putting It Together
      November 17, 2009

      Pictures Reframed, a multimedia presentation of Modest Mussorgsky’s Pictures at an Exhibition that unites the pianism of Norway’s Leif Ove Andsnes (b. 1970) with the graphics and film of South African visual artist Robin Rhode (b. 1976), is a stunning achievement. Far more than merely another multimedia collaboration for our multitasking, iPod-toting era, it brilliantly illumines Mussorgsky’s achievement in ways that transcend the literalism of words, images, and notes on a page.

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      Critics' Picks
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      • Critics Pick
      November 11, 2009

      She’s a veteran Sicilian soprano who has sung at the Met, Covent Garden, and La Scala. He’s the young Mexican tenor who, having won Placido Domingo’s 2006 Operalia Competition, went from the Merola summer program to an Adler Fellowship.

      The major roles he’s undertaking at the War Memorial Opera House clearly indicate that he’s being groomed as a future Pavarotti. (He has already subbed for Rolando Villazón.)

      More about Cal Performances »

      CD REVIEW
        Rossini-Colbran, the Muse Passion and Fireworks From Joyce DiDonato
      November 10, 2009

      By the time she completes the first astounding 50-second musical statement of “D’Amor al dolce impero” (To the sweet rule of love), mezzo-soprano Joyce DiDonato has delivered her calling card. The soaring high notes, seamless runs, and imperious declarations of the impossibly demanding second-act finale of Gioachino Rossini’s opera Armida establish, in no uncertain terms, that she’s a major artist at the height of her powers.

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      Chamber Music REVIEW
       San Francisco Performances Salons at the Rex Exciting Young Singers Need Polish
      November 4, 2009

      It’s no wonder that San Francisco Performances’ intimate Italian salon at San Francisco’s Hotel Rex sold out two weeks in advance.

      More about San Francisco Performances »
      Artist Spotlight
      November 3, 2009

      Texas-born mezzo-soprano Susan Graham is no stranger to these parts. Since 1990, she has sung everything from Monteverdi to Jake Heggie in six different productions with San Francisco Opera, performed several times in concert with the San Francisco Symphony, and sung two recitals here. Most recently, she brought an uncommonly gentle and intimate touch to Mahler’s five Rückert Lieder, recorded in performance for future release in the Symphony’s Mahler series.

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      CD REVIEW
        Scarborough Fair: Songs from the British Isles Bryn Terfel Sinks the British Isles
      October 27, 2009

      As powerful as bass-baritone Bryn Terfel’s voice is, it’s not strong enough to sink the British Isles by itself. But were you to play the great Bryn’s latest CD, Scarborough Fair: Songs from the British Isles (Deutsches Grammophon B0012642-02), loud enough, the combined force of Terfel’s magnificent instrument and Chris Hazel’s insufferable arrangements for the London Voices and London Symphony Orchestra, unsparingly conducted by Barry Wordsworth, just might do the once-mighty empire in.

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      Upcoming Concert
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        October 26, 2009

        Not since winter 1997, when pianist Sarah Cahill organized a three-day piano marathon of works by Henry Cowell (1897-1965) and those he influenced, have Bay Area music lovers had an opportunity to fully immerse themselves in the oeuvre of one of America’s most brilliant musical mavericks. Now, thanks to Charles Amirkhanian’s Other Minds, we can enjoy two different concerts on Nov. 12 and 13 that explore the breadth and depth of Cowell’s legacy.

        More about Other Minds »

        Recital REVIEW
         San Francisco Conservatory of Music  Lieder Highs
        October 20, 2009

        It was a night of opposites. For the first half of the San Francisco Conservatory of Music’s semi-annual Lieder Alive concert series in SFCM’s Concert Hall, we had tenor Eleazar Rodriguez, a 2009 Merola Opera participant who is compact of voice and frame. The second half belonged to soprano Heidi Melton, a former Merolina and second year San Francisco Opera Adler Fellow who is robust of voice and frame. 

        More about San Francisco Conservatory of Music »
        Feature Article
        October 20, 2009

        Berkeley-raised conductor J. Karla Lemon, who conducted a host of local and national new music ensembles and orchestras between teaching gigs at Stanford University and other institutions, died peacefully at her Oakland home on October 15. The cause of death was a massive and catastrophic stroke endured during open-heart surgery for correction of a congenital heart condition.

        More "In Memoriam: J. Karla Lemon" »
        Upcoming Concert
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          October 20, 2009

          Mexico’s Día de los Muertos is hardly a day for mourning. A celebration of those who have died, it centers on offerings of food, flowers, and fanciful ceremonial altars for the departed. More about San Francisco Symphony »

          CD REVIEW
            <em>Neharót</em>, ECM New Series Pan-Cultural Beauty and Longing for Kim Kashkashian
          October 20, 2009

          Award-winning producer Manfred Eicher’s transcendent vision for his ECM New Series recordings defies simple categorization. A case in point is violist Kim Kashkashian's Neharót, a collection of unusual, oft-rarefied pieces that transcend national and genre boundaries, the recording touches the heart with its universal expressions of longing and prayer.

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