Jerry Kuderna

Jerry Kuderna is a pianist who gives lecture/recitals every Friday at the Berkeley Arts festival.

Articles By This Author

Jerry Kuderna - July 29, 2008
Billed as "Classics to Moderns" 1910-2008, the duo of Sarn Oliver and Robert Pollock presented a program of solid, if seldom played, masterpieces Sunday at the Berkeley Hillside Club as part of its concert series, in association with Ebb & Flow Arts.
Jerry Kuderna - July 15, 2008
Robert Schumann holds a special place in the repertoire of a young and talented pair of musicians, pianist Hillary Nordwell and violinist Monika Gruber, who call themselves the Eusebius Duo.
Jerry Kuderna - May 13, 2008
Symphony aficionados seldom get a chance to hear two performances of the Brahms Second Piano Concerto so close to each other. Last month it was performed in Oakland.
Jerry Kuderna - April 15, 2008
To play all 32 Beethoven sonatas in public over two years, or 20, is one of the greatest challenges facing the pianist. The technical difficulties they present pale before the range of experience they embody and demand for their full realization.
Jerry Kuderna - April 8, 2008
I came in hopes of a full solo recital from Leon Fleisher at Herbst Theatre on Saturday. I left grateful that Fleisher is back and in fine form as a soloist, and that he shared the stage with his wife, the pianist Katherine Jacobson Fleisher. The program included two late masterpieces by Schubert: one for piano duet, one solo.
Jerry Kuderna - March 4, 2008

Yundi Li presented a recital of tried and true audience favorites at Herbst Theatre on Sunday, under the auspices of San Francisco Performances. Some of them he has played here before. I went to the theater hoping to gain some insight into the artistic imagination of this acclaimed young artist. I left dazzled, puzzled, and wishing for more substance along with the pyrotechnics that these days seem to be the measure of all things pianistic.

Jerry Kuderna - July 24, 2007
Time was when piano recitals would end with a rousing performance of a Hungarian rhapsody, an etude, or the Mephisto Waltz by Franz Liszt as a surefire way to bring the audience to its feet.
Jerry Kuderna - April 3, 2007
In the 40 or so years that I've been attending Richard Goode's concerts, none has failed to challenge me to hear music with fresh ears. His solo recital Monday night at Davies Symphony Hall, presented by San Francisco Performances, was no exception.