Joe Cadagin

Joe Cadagin holds a doctorate in musicology from Stanford University, where he completed a dissertation on composer György Ligeti. He is a regular contributor to Opera News magazine. You can read more of his work here.

Articles By This Author

Joe Cadagin - November 10, 2015

Composer Amy Beth Kirsten has provided Volti with the right kind of challenge: one that takes the audience on an electrifying journey.

Joe Cadagin - November 2, 2015

A technical tour-de-force of a duo recital focusing on Ades’ own music and influences.

Joe Cadagin - October 27, 2015

A wide-ranging program jumped from percussion to Debussy’s harp concerto to Bernstein’s Serenade (after Plato’s Symposium).

Joe Cadagin - October 19, 2015

In Kaija Saariaho’s Laterna Magica and Hector Berlioz’s Les nuits d’ete, sound color is deployed in the evocation of light.

Joe Cadagin - May 19, 2015

What happens when indeterminate music’s “happy accidents” are not so accidental?

Joe Cadagin - April 7, 2015

The S.F. Contemporary Music Players' season-long series of ten commissioned works reflecting on the human condition comes to an inspired close.

Joe Cadagin - March 17, 2015

Pierre-Laurent Aimard and Tamara Stefanovich successfully steer through the composer’s most challenging works.

Joe Cadagin - February 11, 2015

Mark Lanz Weiser's opera, at Opera San Jose, misses the mark

Joe Cadagin - February 3, 2015

The Lamplighters Musical Theater production of Candide has a lot going for it, along with a few unavoidable flaws.

Joe Cadagin - January 27, 2015

Continuing on from Infinite Jest, John Adams continues to mine Beethoven for musical ideas.