These lively Q&A's aim to shed light on the personalities behind the music. Get to know your favorite artists...or discover someone new!
Cellist Alisa Weilerstein began her career at age 4 when her grandmother presented her with a homemade instrument assembled from cereal boxes. The young musician gave her first public concert six months later, albeit on a more traditional cello. Since then, Weilerstein — the daughter of violinist Donald Weilerstein and pianist Vivian Hornik Weilerstein — has been widely acclaimed as one of the leading interpreters of her generation, in a variety of repertoire.
George Cleve is the conductor and founder of the Midsummer Mozart Festival. He was conductor of the San Jose Symphony for 20 years, and continues to conduct both in the U.S. and abroad.
Congratulations on the 35th season of the Midsummer Mozart Festival. What factors do you consider when programming the festival after all of these years?
Over the last 18 years, Maestro Bruno Weil has transformed the Carmel Bach Festival into a major international event. The seaside festival, which celebrates the music of J.S. Bach and the composers inspired by him, is known for the rich range of its programming and the consistent high quality of its performances.
Not yet 29, conductor Alondra de la Parra made history as the first woman from Mexico to conduct in New York City. In her short career, she has presented more than 20 world premieres by such composers as Clarice Assad, Enrico Chapela, Paul Brantley, Paul Desenne, and Eugenio Toussaint.
In 2000, de la Parra moved to New York City where she received her B.A. in piano performance from the Manhattan School of Music, and her master’s in conducting. She has since made the city her home, where she resides with her husband.
Jonathan Khuner is a Bay Area classical music fixture. He is artistic and musical director for the Berkeley Opera. He also divides his time between the San Francisco Opera and the Metropolitan Opera as assistant conductor and a prompter for both companies.
The Berkeley Opera Company is doing The Ballad of Baby Doe this July. Why did you chose this opera?
At 30, Inon Barnatan has established an international reputation as a pianist of uncommon depth and maturity. The Tel Aviv-born, New York-based artist, who studied with Leon Fleisher and the late Maria Curcio, has earned acclaim in a variety of repertoire from Beethoven to Messiaen to Schubert. In 2007, the latter composer inspired Barnatan to assemble a group of like-minded (and similarly youthful) colleagues for “The Schubert Project,” a series showcasing late-life Schubert solo, chamber, and lieder works.
Violinist/ violist Anthony Martin is one of the Bay Area’s core of string players who have specialized in early music, or “historically informed performance.” A cofounder of famous ensembles like Philharmonia Baroque Orchestra and Frans Brueggen's Orchestra of the 18th century, he has viewed the tremendous expansion and growing popularity of early music performance from the trenches.
Sarah Cahill is a pianist who wears a lot of hats, which may account for her high profile among local, Bay Area pianists. She hosts the radio program Then and Now on KALW on Sunday evenings, wrote music reviews for The East Bay Express until the late 1990s, and for San Francisco Classical Voice, when it began, and has commissioned a number of new works for piano. She talked to SFCV about her current projects and upcoming concerts.
When Robert Cole took over Cal Performances in 1986, West Coast arts presenters were pretty much booking whatever came through on tour from the East. He changed all that. Cole, who’s calling it quits this summer after a brilliant and fruitful 23-year run, made things happen here. He helped originate new works of music and dance, and he brought in a vast range of artists from abroad, many of whom had never played here.
Jane Glover, music director of Chicago’s Music of the Baroque since 2002 and recently named artistic director of Opera at London’s Royal Academy of Music, is a Baroque scholar, author, and opera conductor with a penchant for modern dance. However unlikely a combination that may seem, for the past decade Glover has been a collaborator in several of choreographer Mark Morris’ projects that brilliantly use modern dance to embody 18th-century music.