Each week, SFCV looks behind the scenes to give you a sneak peak of what's coming up on stages around the Bay Area...so you can learn about concerts before they happen.
Wide-ranging premieres and a remounting of Paul McCartney’s Liverpool Oratorio (last heard locally two decades ago) mark the concert by San Francisco Sinfonietta.More about San Francisco Sinfonietta »
For their big finale this week, Peninsula Symphony brings in baritone Eugene Brancoveanu and soprano Heidi Moss for a delightful set of opera excerpts from the great repertory warhorses. The 140 voices of the Stanford Symphonic Choir are also on hand to help knock down the walls in the Aida excerpts.More about Peninsula Symphony »
Magnus Lindberg is a major name in composition, and not just because of the “Magnus” part. He's at the Herbst Theatre this Sunday, courtesy of S.F. Performances, as part of a piano trio that also includes Jennifer Koh on violin and Ansi Karttunen on cello.More about San Francisco Performances »
Volti's odyssey through new and contemporary choral pieces continues this Sunday with the premiere of Matthew Barnson's Genesis. Barnson won this year's Choral Arts Laboratory residency prize. There's more than one premiere on the program, so if you like a bit of mystery and surprise along with really fine singing, you should have this concert on your schedule.More about Volti »
This Friday, Street Scene, the Kurt Weill-Langston Hughes opera comes to the Paramount Theatre stage, played by the Oakland East Bay Symphony Orchestra under Music Director Michael Morgan. It is every bit as marvelous as Morgan says, and you probably won't soon get another chance to hear it in the Bay Area.More about Oakland East Bay Symphony »
Edgar Meyer could be said to be playing all the “basses”: he’s collaborated and recorded in classical, jazz, bluegrass, and several other contexts. At Herbst Theatre this month, he’ll be taking on an unfamiliar role: playing bass solo, in public.More »
Conductor Michael Morgan’s modesty becomes him, yet it’s in service to a mission that he pursues no less relentlessly than most other conductors pursue fame and fortune.More »