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Latest From the SFCV Feed

Steven Winn - March 5, 2024

There’s always a chance you’ll be hearing more of these works in progress in one of the company’s seasons to come.

Lisa Hirsch - March 5, 2024

On the eve of two longtime members’ retirement, the group celebrates 50 years with a characteristically contemporary program.

Tim Greiving - March 5, 2024

A number of well-known composers have died on the job and received Academy Award nominations for their final works.

Emily Wilson - March 5, 2024

Sulker is indispensable on the local scene for her wide repertory, acting skills, and musicality.

Tom Jacobs - March 5, 2024

In his penultimate year with the orchestra, Music and Artistic Director Gustavo Dudamel plans to have fun with a favorite composer.

Victoria Looseleaf - March 4, 2024

Coppél-i.A., arriving in SoCal this week, is a contemporary telling of a classic story from choreographer Jean-Christophe Maillot.

Lev Mamuya - March 4, 2024

Conductor Susanna Mälkki leads an LA Phil premiere and then collaborates with Daniil Trifonov on Brahms’s Second Piano Concerto.

Rebecca Wishnia - March 4, 2024

The orchestra presents a ravishing reading of Bartók’s opera, plus a colorful — and perfumed — account of Scriabin’s tone poem.

Jim Farber - March 3, 2024

Monday Evening Concerts is the city’s longest-running new-music series, but many similar efforts in L.A. share the same family tree.

Jeff Rosenfeld - February 28, 2024

Directed by Joseph Young, an exciting program draws connections between French and American musical icons.