Primary tabs

In Music We Trust: Presidio Sessions Opens a Cool New Year

December 13, 2016

The Presidio is that yesteryear Army base in San Francisco below the Golden Gate Bridge. It was originally the property of Ohlone Indians, then Spain, then the U.S. Army and finally, at the end of the Cold War, the place was recast as a vast public park now managed by the Presidio Trust. The Trust is refurbishing some of the more than 600 buildings, which it then leases, recycling that money back into the park.

The Presidio’s cultural center is in the old Officer’s Club, at the top of the parade grounds, across from the bowling alley. Since the club was made over in 2014, it’s become a striking venue for concerts and lectures.

The new season begins in January, 2017 with the Presidio Dialogues (Thursdays at 6 p.m.) and Presidio Sessions (Fridays at 6 p.m.). Events, all free, include lectures, live performances, film screenings, and panel discussions exploring themes from ancient history to current events. The music is an eclectic mixture of S.F.-based artists.

Brad Rosenstein is the Trust’s program producer: “The range and quality of the ensembles stretch from Celtic to Coltrane, and from the globe-spanning “Nuevo Chamber” music of Musical Art Quintet to the jazz-meets-chamber-rock-funk of David James’s GPS and the invented instruments of the Paul Dresher Ensemble.”

Presidio Sessions, which extends into the spring, is a collaboration of the Trust and the San Francisco Friends of Chamber Music. It was created by the Trust’s Associate Director of Heritage Programs Jeff Weik and SFFCM’s former executive director, Dominique Pelletey.

The January calendar includes Ensemble for these Times (E4TT) whose debut CD Surviving: Women’s Words received this review: “...compelling, varied and harmonically interesting” music that “creates a dark, contemplative atmosphere.” (January 27)

Also in January, the story of San Francisco's original Anchor Steam Beer — from the Gold Rush to earthquakes to Prohibition and entrepreneurship. Dave Burkhart, Anchor’s Brewery historian and Grammy-nominated trumpeter, recounts the tale of America’s first craft brewery through images and music — and tasting samples. (January 26)

But it’s the season’s first offering, Music in the Borderlands, on January 12, that suggests the real range of this unique program. Lebanese American vocalist, composer, performing artist, Naima Shalhoub shares excerpts of her work and life journey “through the various borderlands of identity, culture, land, and music. With personal stories and experiences working with incarcerated people, doing restorative justice with youth, and other advocacy work, she'll weave together an evening of song and conversation that will engage themes of justice, freedom as a practice, healing, and the power of music and the voice.”

Concerts begin at 6 p.m. at the Presidio Officer’s Club, 50 Moraga Avenue, San Francisco, and (415) 561-4400.

Mark MacNamara, a writer and journalist based in Asheville, North Carolina, has written for such publications as NautilusSalonThe Stanford Social Innovation Review, and Vanity Fair. From time to time, his pieces in San Francisco Classical Voice also appear in  Noteworthy examples include a piece about Philip Glass’s dream to build a cultural center on the Pacific Coast; a profile of sound composer Pamela Z and an essay on the Orpheus Chamber Orchestra. MacNamara recently won several awards in the 2018 Greater Bay Area Journalism Awards presented by the San Francisco Press Club.  His website is