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Lisa Bielawa's Vireo wins 2015 ASCAP Multimedia Award

December 8, 2015

17-year-old soprano Rowen Sabala as Vireo in Lisa Bielawa’s new opera, <em>Vireo: The Spiritual Biography of a Witch's Accuser</em>Lisa Bielawa’s new opera, Vireo: The Spiritual Biography of a Witch's Accuser, recently won the ASCAP Foundation Deems Taylor/Virgil Thomson Multimedia Award, given in recognition for the opera’s “outstanding inter-related components.”

Vireo — an artist residency project of the California State University, Fullerton, Grand Central Arts Center in Santa Ana, California — took three years to develop and was composed by Bielawa, 46, on a libretto by Erik Ehn and directed by Charles Otte. The work was created for episodic release via broadcast and online media, in partnership with KCETLink, a non-profit digital and broadcast network. The first episode was taped last February.

“It was great to be recognized by colleagues in the news sphere,” Bielawa told us the other day.

The opera stars 17-year-old soprano Rowen Sabala as Vireo, a teenage visionary who encounters various characters through history as they try to interpret and manipulate her visions to fit their own worldviews. Much of the material is derived from Bielawa’s studies while a student at Yale University.

Of 12 planned episodes, four have been shot; the first two episodes are available online at KCET. The fifth episode will be shot on Jan. 8. The remainder will be shot in 2016, in cities around the country, including San Francisco. Musicians and music groups involved in the project include among others, the Kronos Quartet (episode 1); cellist Joshua Roman; and harpist Bridget Kibbey.

“It’s turned out to be quite a complex lattice work of different musical partners,” said Bielawa adding that this project has offered special insight into the nature of creativity.

I think I’ve learned — again — that the tension between pragmatism and fantasy is where the real magic happens. This is an environment where a lot of people each need certain kinds of circumstances to do their work. And so you would think that might leave people feeling that their creativity needs to be controlled; but actually this is exactly when the magical stuff happens.

This is yet another example of how I have personally found a way to be as social as I am and yet still be a composer. You know, for years I didn’t declare myself a composer because I always thought, ‘no I don’t want to be left in a room composing music because I love people too much.’ This project has really taken that to another level. I have to say, I am blissed out.

Bielawa, artistic director of the San Francisco Girls Chorus in San Francisco, is the daughter of composer and retired music professor Herbert Bielawa.

Mark MacNamara, a writer and journalist based in Asheville, North Carolina, has written for such publications as NautilusSalonThe Stanford Social Innovation Review, and Vanity Fair. From time to time, his pieces in San Francisco Classical Voice also appear in ArtsJournal.com.  Noteworthy examples include a piece about Philip Glass’s dream to build a cultural center on the Pacific Coast; a profile of sound composer Pamela Z and an essay on the Orpheus Chamber Orchestra. MacNamara recently won several awards in the 2018 Greater Bay Area Journalism Awards presented by the San Francisco Press Club.  His website is macnamband.com.