Classical Music Reviews
Every week, our professional critics attend concerts throughout the Bay Area to let you know what went well...and occasionally what didn't. Let their insights enrich your musical experiences, and feel free to share your own views!
The extra excitement of Merola Opera’s performance of Mozart’s Così fan tutte could be felt on both sides of the metaphorical footlights. As the house lights dimmed on Sunday at the outset of the production in Fort Mason’s intimate Cowell Theatre, you could almost hear the anticipatory questions in people’s minds: Were they about to witness one or more major stars in the making?
L’amico Fritz is one of opera’s neglected gems. As the follow-up to his hugely acclaimed Cavalleria rusticana, Pietro Mascagni’s 1891 commedia lirica never quite achieved the popularity of its predecessor. These days, with arts funding at a new low, productions of it are as rare as hen’s teeth. Yet the Merola Opera Program’s revival, presented over the weekend at the Fort Mason Center’s Cowell Theater, suggested that Fritz is well worth revisiting.
Giacomo Puccini’s Tosca has a fabled past at San Francisco Opera, with some 34 highly successful productions in the company’s 86-year history, and starring such imperious Toscas as Renata Tebaldi, Dorothy Kirsten, Leontyne Price, and Montserrat Caballé. Their vocally romantic lovers were sung by such leading lights as Jussi Bjoerling, Placido Domingo, or Luciano Pavarotti, while the likes of Tito Gobbi, Ingvar Wixell, and James Morris strode the stage as their fierce nemesis, Baron Scarpia.