Classical Music Reviews
Every week, our professional critics attend concerts throughout the Bay Area to let you know what went well...and occasionally what didn't. Let their insights enrich your musical experiences, and feel free to share your own views!
Beethoven’s Ninth Symphony has been played repeatedly in Sonoma County during the past decade, beginning with a memorable performance by the Santa Rosa Symphony under Jeffrey Kahane in the aftermath of 9/11. That event was so successful that several other renditions followed, including one in the Sonoma State University gym. The culmination, however, arrived at the Wells Fargo Center on Saturday, with a spine-tingling presentation by the Santa Rosa Symphony under Music Director Bruno Ferrandis.More about Santa Rosa Symphony »
Amid an ever-expanding roster of outstanding Renaissance ensembles, the Tallis Scholars remains a force to be reckoned with. For several decades now, Director Peter Phillips and his singers have been leaders on the early-music scene through internationally renowned tours and recordings, as well as by cultivating a distinctively bright sound, anchored by laser-sharp sopranos and rich, voluminous basses. At its best, this sound conveys remarkable purity and crispness, with an icy edge.More »
Since Christmas celebrates the birth of the Holy Son, a piece about the death of an earthly girl might seem out of place on a holiday concert. This weekend, though, the Pacific Mozart Ensemble, the Grammy-nominated chorus directed by Lynne Morrow and Richard Grant, delivered a winter concert that revolved around precisely such a piece.More about Pacific Edge Voices (formerly Pacific Mozart Ensemble) »
When Christine Lim of San Francisco Performances invited former San Francisco Opera Adler Fellow soprano Ji Young Yang to present a one-hour Salon at the Rex, Yang proposed a pairing with her fellow, former Adlerian, countertenor Gerald Thompson. Thus was born a duo recital that began with early music, then embraced the unexpected.
The duo immediately set the tone on Wednesday night with two works by Purcell.More about San Francisco Performances »
It’s a toss-up as to whether listening to mezzo-soprano Cecilia Bartoli’s spectacular new Decca recording of music written for the star castrati of the 18th century is more exhilarating or exhausting. Many of Sacrificium’s 15 arias, which are stronger as virtuosic showpieces than conveyers of emotional truth, contain more trills, roulades, and impossibly difficult runs than any singer can be rightly expected to generate in the course of a day.More »
Some pedantic fuddy-duddies may decry what transpired in Davies Symphony Hall last weekend, but those who love music, and who especially love J.S. Bach, were happy to experience an outstanding performance of an edited version of his Christmas Oratorio, BWV 248.More about San Francisco Symphony Chorus »
Eyebrows rise at the thought of Renée Fleming, a soprano who has built her reputation on the creamy beauty she brings to lyric soprano roles created by Mozart, Strauss, and others, singing the wrenching verismo repertoire of Puccini, Mascagni, Catalani, Cilea, and others. Verismo is about blood and guts, sweat and suffering, and enough over-the-top singing to sear the makeup off Fleming’s ubiquitous glamour shots.More »
When it comes to Beethoven’s vocal music, the average listener’s familiarity is probably limited to a few classics: his opera Fidelio, the Missa solemnis, the final movement of Symphony No. 9. Yet a treasure trove of repertory lies hidden beneath these monuments — many vocal works, in fact, many of quite superior quality but habitually ignored except among specialists.More about Chora Nova »
On Friday, the remarkable duo of clarinetist Jon Manasse and pianist Jon Nakamatsu gave a sensational recital of works that covered the period from the first half of the 19th century to a celebratory composition written for the centennial of Benny Goodman’s birth, which occurs this year.More »
Stanford Symphonic Chorus
Tired of the usual run of jolly Christmas choral music? A nearly full house on Friday in Stanford’s spacious Memorial Church welcomed in their holiday season with a Requiem. And not just any Requiem. What the Stanford Symphonic Chorus and Peninsula Symphony Orchestra had gathered to perform under the baton of Stephen M. Sano, the Chorus’ director, was a new performing edition of the Missa pro defunctis by Antonín (alias Anton, alias Antoine) Reicha.More about Peninsula Symphony »