Classical Music Reviews
Every week, our professional critics attend concerts throughout the Bay Area to let you know what went well...and occasionally what didn't. Let their insights enrich your musical experiences, and feel free to share your own views!
The San Francisco Symphony Chamber Music concert on Sunday marked George Benjamin’s third and last appearance as the Phyllis C. Wattis Composer in Residence. He was represented on the program by two works, Viola, Viola; and Piano Figures. Both are superb additions to their respective repertories. (See SFCV’s recent feature on the composer.)More »
Voices of Music is one of those rare ensembles built from the bottom up: Founders and Codirectors David Tayler (lutes) and Hanneke van Proosdij (harpsichord) make up the bones of a continuo team that supports anything from solo singers or instrumentalists to a small orchestra. On Saturday at St. Mark’s Lutheran Church in San Francisco, Tayler, van Proosdij, and cellist/gambist William Skeen were the backup band, as it were, to oboist Gonzalo Ruiz.More about Voices of Music »
It’s always fascinating to hear where composers are coming from, as well as where they’re going. This week’s San Francisco Symphony program offered an intriguing case in point: As part of George Benjamin’s current residency with the orchestra, the English composer appeared on the podium to conduct two of his own works — one early and one recent — as well as music by two of his primary influences, Messiaen and Ravel.More about San Francisco Symphony »
The exceptionally fine baritone Nathan Gunn was at Herbst Theatre last Tuesday, where he tackled Schubert’s song cycle Die schöne Müllerin (The fair maid of the mill) in a recital for San Francisco Performances. If Gunn, who was accompanied by his wife, Julie Gunn, failed to score an interpretive touchdown, perhaps it’s because he was unsure where the goalposts were.More about San Francisco Performances »
Music composed before 1900 still pays the bills for many chamber groups, but our most adventurous ensembles, following the example of pioneers such as the Kronos Quartet, are increasingly likely to build their programs around works from the 20th and 21st centuries. The Del Sol String Quartet proved the point in a wide-ranging program Monday on the Music at Meyer series.More about Del Sol String Quartet »
Sunday was string quartet night at the San José Chamber Orchestra’s concert, conducted by Barbara Day Turner, at Le Petit Trianon in its namesake city. The Cypress String Quartet played as guest soloists in the premiere of Pablo Furman’s Paso del Fuego, and the SJCO ceded the entire stage to the Cypress foursome for the first half of the concert, which consisted of Beethoven’s Quartet in F, Op. 135.
But before we get to the Beethoven, let me tell you about the premieres: two of them.More about San José Chamber Orchestra »
Garrick Ohlsson’s credentials as an interpreter of Frédéric Chopin — he has recorded the complete works, twice — place him in the top echelon of modern pianists. Many performers possess the technical prowess and power to treat the piano as a slave and to do pretty much as they please to the music. Ohlsson’s all-Chopin recital Sunday afternoon, sponsored by Cal Performances and celebrating the 200th anniversary of the composer’s birth, went beyond virtuosity and paid the deepest respect to our greatest “poet of the piano.”More about Cal Performances »
The Jan. 7-10 San Francisco Symphony concerts were studies in orchestral transformation. What the relatively short program of an hour and 45 minutes, conducted by David Robertson at Flint Center and Davies Symphony Hall, lacked in intensity, it made up for in a rewarding skein of associations.More about San Francisco Symphony »
The music of Steve Reich can sound deceptively simple. After all, for about 50 years, his name has been associated with so-called minimalism. The term vaguely denotes music built from the repetition and layering of simple musical modules over harmonies and temporal pulsations that remain relatively constant. Yet at Stanford University’s Dinkelspiel Auditorium on Saturday, an all-Reich concert performed by So Percussion, a percussion quartet, made the virtuosic complexity of Reich’s music abundantly clear.More about Stanford Live (formerly Stanford Lively Arts) »
The San Francisco Bay Area has one of the largest and most enthusiastic audiences in the country for the classical guitar. Internationally acclaimed artists are regularly featured by San Francisco Performances and the Omni Foundation, while young talent is often presented by smaller organizations. The South Bay Guitar Society, undoubtedly the best organized and ambitious of these smaller presenters, gave its audience a special treat Saturday: Scott Tennant, a founding member of the Grammy-winning Los Angeles Guitar Quartet, in a rare solo recital.More »