Classical Music Reviews
Every week, our professional critics attend concerts throughout the Bay Area to let you know what went well...and occasionally what didn't. Let their insights enrich your musical experiences, and feel free to share your own views!
Applause broke out at unexpected times Wednesday evening in Davies Symphony Hall as guest conductor David Robertson wowed the San Francisco Symphony audience. Of course, it didn’t hurt that he had virtuoso pianist Yefim Bronfman as his soloist for a terrific program.More about San Francisco Symphony »
If you are looking for a gift for someone beginning their odyssey into classical music, you could do worse than send them the latest DGG sampler release of repertoire standards spiced with two dances by the Mexican composer Arturo Márquez.
Why? The conductor is Gustavo Dudamel, product of Venezuela’s world-famous El Sistema who has just taken over the helm of the Los Angeles Philharmonic.More »
Music sounds different when the composer’s in the room. It sounds even more different when he’s sitting near you and hands you a score. That was the predicament in which I found myself Sunday afternoon, at the San Francisco Contemporary Music Players’ “Contemporary Insights” lectures.More about San Francisco Contemporary Music Players »
Imani Winds, a wind quintet whose stylish grace and charm match the high quality of sound produced from their instruments, hold a substantial pedigree among fellow artists, audiences, and critics alike.More »
The Japanese guitarist Kazuhito Yamashita performed an ambitious, all-Bach program Friday at the San Francisco Conservatory of Music. The recital, presented by the Omni Foundation for the Performing Arts, featured arrangements of the First and Sixth Cello Suites as well as the Second Sonata for Solo Violin and had a decidedly mixed reception.More about San Francisco Conservatory of Music »
Midway through his Song of America recital on Wednesday, presented by San Francisco Performances, Spokane-raised Thomas Hampson paused to address the adoring Herbst Theatre audience he had sung for on 10 previous occasions. “In many of the places where I’ve presented this project," the 54-year-old baritone declared, “people ask me if I’d please sing more songs like that one called Shenandoah. But here, on the 30th anniversary of this wonderful organization, I want to do a group of songs from our own century.”More about San Francisco Performances »
Avie Records has begun a new series of recordings of Schubert’s late piano works, featuring the estimable pianist Imogen Cooper, who has recorded little in recent years. Volume I is just out, containing five important and varied Schubert compositions on a pair of CDs (AV2156).More »
French music, the stereotype goes, prizes clarity, elegance, balance — in a word, gracefulness. Of course, exceptions are easy to find, but last weekend’s concerts titled “Les grâces françoises: Graceful Music From France,” by the aptly named ensemble Les grâces, made a persuasive case that a consciously graceful performance style immaculately suits the polite, early-Baroque gems. The concert was one in the series presented by the San Francisco Early Music Society.More about San Francisco Early Music Society »