Reviews

Steven Winn - April 29, 2014

A double-bill from Festival Opera of The Emperor of Atlantis and Another Sunrise features striking music and world-class acting and singing.

Niels Swinkels - April 28, 2014

Guest conductor James Conlon led the S.F. Symphony a standout piece by composer Erwin Schulhoff and notable performances by Jean-Yves Thibaudet and Mark Inouye.

Janice Berman - April 28, 2014

With music from the Philharmonia Baroque Orchestra and Chorale conducted by Nicholas McGegan, Acis and Galatea, a Cal Performances co-production and world premiere is a delight.

Jeff Dunn - April 28, 2014

A great deal of hard work pays for Opera Parallèle, despite an odd pairing for a double-bill and its so-called "ubernarrative."

Maggee VanSpeybroeck - April 26, 2014

There are plenty of clues that classical music is alive and well in the Bay Area, evidenced by an all-motets concert by American Bach Soloists that drew a large, incredibly enthusiastic audience.

David Bratman - April 26, 2014

The Ives Quartet performs a program that would have drawn a spectrum of reactions from the namesake composer.

Be'eri Moalem - April 25, 2014

At the Sweet Thunder Festival the JACK Quartet looks totally comfortable with any aspect of extended technique, and then some.

Be'eri Moalem - April 22, 2014

Technical aspects vie with purely musical ones in Paul Dresher Ensemble’s current outing.

Anatole Leikin - April 15, 2014

Georgian-born Khatia Buniatishvili’s deeply felt musicality proves right for Liszt and Ravel, but is a bit off for a Chopin sonata.

Anna Carol Dudley - April 15, 2014

In praise of Scarlatti, the estimable Voices of Music lament impressively.