Reviews

The S.F. Conservatory of Music’s New Music Ensemble served up a tantalizing program of nibbles from Kirke Mechem’s 1980 opera Tartuffe, with enough music and artistry to convey a tantalizing sense of the whole.

Savor the artistic mastery of the composer/librettist team of Jake Heggie and Gene Scheer at their imaginative best in their new DVD here/after, which presents one beautiful, provocative, moving, and occasionally hilarious exploration after the other.

PBO celebrates the life and work of Nelson Mandela by switching its program to feature a ceremonial work typically performed to honor state luminaries.

With a solo violinist sometimes off in her own world, Symphony Silicon Valley brings quality playing to its program of Stravinsky, Tchaikovsky, and Mozart.

An inspiring performance of Haydn’s Mass in Time of War is paired with some serious L. Bernstein and light L. Mozart.

Music Director Joana Carneiro made a welcome return to her conducting duties at the Berkeley Symphony evening, offering refreshing renditions of three works.

Spot-on tuning and fine phrasing mark the concert by the New Esterházy Quartet, performing Haydn and other composers in his orbit.

Semyon Bychkov's direction of the SFS at its very best and Ragnar Bohlin's brilliant SFS Chorus gave an utterly moving War Requiem without a smidgen of sentimentality.

The aptly named annual Adler Fellows Gala Concert, "The Future Is Now," confirmed that San Francisco Opera’s year long training program prepares apprentice artists for greatness.

Richard Strauss' Die Frau ohne Schatten at the Metropolitan Opera combines a rich score, matchless orchestra, cast, and direction for a fantastic operatic odyssey.