Reviews

Steven Winn - October 7, 2013

The piano duo ZOFO regales its audience with a bright, brainy, bravura all-American program.

Janice Berman - October 7, 2013

The program XXTremes, which opened the Smuin Ballet's season, journeyed across varied landscape and had a good time doing so.

Jason Victor Serinus - October 5, 2013

Philharmonia Baroque journeyed to two musical capitals simultaneously, graced by soloists Carolyn Sampson and David Daniels, and conductor Nicholas McGegan’s ability to coax the best from his wonderful orchestra.

Jeff Dunn - October 4, 2013

The season opener at the Berkeley Symphony brings an experiment in sounds with Campion's <em>Ossicles</em>.

Janos Gereben - October 4, 2013

A S.F. Symphony concert led by Pablo Heras-Casado offers a fascinating mix-and-match program, impressively executed, with a stunning performance by Leila Josefowicz.

Janice Berman - October 1, 2013

A review of the live-streamed show of the Joe Goode Performance Group’s newest dance/theater work, Hush, performed live through Sunday at Z Space.

David Bratman - September 30, 2013

In San José, Symphony Silicon Valley opens its new season with just plain good music, well played.

Anna Carol Dudley - September 30, 2013

Clerestory performs a program, "The Bard," based entirely on the words of William Shakespeare — musical settings of Shakespeare, written by composers mostly born in the 20th century.

Jeff Dunn - September 29, 2013

The New Century Chamber Orchestra excelled at audience-wooing, thanks to their superb skills and those of two composers, one for each fashion, new and old.

Jason Victor Serinus - September 29, 2013

Carmen, with its string of great tunes that never fails to lure audiences to the opera house, lacks the spark of life at Livermore Valley Opera.