Reviews

The brilliant violinist Christian Tetzlaff plays a challenging solo gig, to astonishing effect.

Play it again, Hilary Hahn: and she does, in a recital populated by encores from a myriad of composers.

Recently composed scores get exemplary readings by the Redwood Symphony, and invite future encounters.

Bass-baritone Eric Owens descends into the depths of emotion in his recital on a bright Sunday afternoon.

Soloist Roy Zajac gives a memorable performance of the Mozart Clarinet Concerto with the Santa Rosa Symphony.

The Opera San Jose production of Il trovatore sparks to life in the second half and has its share of rewards.

“The Illuminators” program conducted by Joana Carneiro highlights musical associations and narratives with varying success.

In a program apparently designed to show off the glorious Symphony Chorus, this week's Poulenc and Berlioz extravaganza, led in masterly fashion by guest conductor Charles Dutoit, is a majestic occasion.

A faculty quintet at the S.F. Conservatory offers a tantalizing hearing of musical style and technique typical of the 19th century.

The Alarm Will Sound chamber group links up with multitalented composer Derek Bermel for a collaboration that intriguingly breaks down all sorts of walls.