Reviews

Janos Gereben - March 7, 2011

Few operas have been worked over as much as Bizet's Carmen. In the East Bay, where Berkeley West Edge Opera's Carmen Fixation opened Saturday night, the opera company offered a "different" version, with a standout performance by Buffy Baggott.

Matthew Cmiel - March 7, 2011

Last week’s Other Minds Festival showcased world musicians doing wild and crazy, and often enjoyable and inventive, things.

Jason Victor Serinus - March 7, 2011

Eugene Chan’s resonant baritone voice and passionate delivery were the prize in a somewhat self-conscious Sunday recital.

Jason Victor Serinus - March 6, 2011

Mezzo-soprano Zheng Cao, in the midst of an astounding series of performances with Philharmonia Baroque Orchestra, performed as a substitute for the great mezzo Frederica von Stade (Flicka), singing beautifully and giving fully of her heart and soul.

Matthew Cmiel - March 4, 2011

The San Francisco Contemporary Music Players ensemble continues to evolve and explore new music, as evidenced by its Monday concert that displayed rich variety.

Thomas Busse - March 2, 2011

It would have been hard to tell, observing the small, graying audience in St. Mark’s Lutheran Church in San Francisco on Saturday, that videos of the early-music band Voices of Music had received, as of this writing, 3,558,070 hits on YouTube. I suspect a good deal of those came from Web queries for the famous Pachelbel Canon, of which VOM has posted an excellent recording.

Be'eri Moalem - March 1, 2011

What other touring orchestra posts its country's flag on stage when performing internationally? Israel's nationalistic pride is well known, and the Israel Philharmonic Orchestra (IPO) is a particularly special source of honor for Israelis.

Steven Winn - March 1, 2011

The Vienna Philharmonic, one of the world’s great orchestras, plumbs the depths and heights of Mahler’s Symphony No. 6, in its final Berkeley performance Sunday.

Jerry Kuderna - February 28, 2011

What sacred music do you set alongside Mozart’s great Requiem in a concert? The San Francisco Symphony movingly squared the circle Thursday with works by Morton Feldman and Mindaugas Urbaitis.

Georgia Rowe - February 28, 2011

Philip Glass’ Orphée earns high marks as a 20th-century alternative to Gluck’s Orfeo ed Euridice. It just deserves a better production than the blunt, charmless staging mounted by the Ensemble Parallèle at Herbst Theatre over the weekend.