Reviews

Jessica Balik - December 7, 2009
Since Christmas celebrates the birth of the Holy Son, a piece about the death of an earthly girl might seem out of place on a holiday concert.
Anna Carol Dudley - December 7, 2009
Magnificat’s dazzling singers have done it again. As part of their ongoing project to perform and record the complete works of Chiara Margarita Cozzolani, four singers brought her glorious music vividly to life in a performance Saturday at St. Mark’s Episcopal Church in Berkeley.
Steve Osborn - December 7, 2009
Beethoven’s Ninth Symphony has been played repeatedly in Sonoma County during the past decade, beginning with a memorable performance by the Santa Rosa Symphony under Jeffrey Kahane in the aftermath of 9/11. That event was so successful that several other renditions followed, including one in the Sonoma State University gym.
Joseph Sargent - December 7, 2009
Amid an ever-expanding roster of outstanding Renaissance ensembles, the Tallis Scholars remains a force to be reckoned with.
Jason Victor Serinus - December 3, 2009

When Christine Lim of San Francisco Performances invited former San Francisco Opera Adler Fellow soprano Ji Young Yang to present a one-hour Salon at the Rex, Yang proposed a pairing with her fellow, former Adlerian, countertenor Gerald Thompson. Thus was born a duo recital that began with early music, then embraced the unexpected.

Jason Victor Serinus - November 30, 2009

It’s a toss-up as to whether listening to mezzo-soprano Cecilia Bartoli’s spectacular new Decca recording of music written for the star castrati of the 18th century is more exhilarating or exhausting.

Janos Gereben - November 30, 2009
Some pedantic fuddy-duddies may decry what transpired in Davies Symphony Hall last weekend, but those who love music, and who especially love J.S. Bach, were happy to experience an outstanding performance of an edited version of his Christmas Oratorio, BWV 248.
Jason Victor Serinus - November 23, 2009

Eyebrows rise at the thought of Renée Fleming, a soprano who has built her reputation on the creamy beauty she brings to lyric soprano roles created by Mozart, Strauss, and others, singing the wrenching verismo repertoire of Puccini, Mascagni, Catalani, Cilea, and others. Verismo is about blood and guts, sweat and suffering, and enough over-the-top singing to sear the makeup off Fleming’s ubiquitous glamour shots.

Joseph Sargent - November 23, 2009
When it comes to Beethoven’s vocal music, the average listener’s familiarity is probably limited to a few classics: his opera Fidelio, the Missa solemnis, the final movement of Symphony No. 9.
David Bratman - November 23, 2009
Tired of the usual run of jolly Christmas choral music? A nearly full house on Friday in Stanford’s spacious Memorial Church welcomed in their holiday season with a Requiem. And not just any Requiem. What the Stanford Symphonic Chorus and Peninsula Symphony Orchestra had gathered to perform under the baton of Stephen M.