Opera

SFCV’s perceptive writers report on topics relevant to opera.

Michael Zwiebach - June 7, 2022

A strong cast triumphed over a fumbling concept in the company’s new production.

Catherine Womack - June 7, 2022

The L.A. chamber group puts its fun, engaging spin on Mozart’s opera, crafting a performance that’s satire with a message.

Victoria Looseleaf - June 6, 2022

The former Merola Program participant is back to sing Dai Yu in Dream of the Red Chamber.

Janos Gereben - June 6, 2022

The ensemble premieres a semistaged opera inspired by the diary of a young Filipina immigrant to California.

Nicholas Jones - June 5, 2022

The intrepid Bay Area company doesn’t just do Handel, but this production was hard to resist.

Janos Gereben - June 1, 2022

Tenor Kyle van Schoonhoven, whom Bay Area operagoers will remember from his Adler Fellow days, took first place.

Lisa Houston - May 31, 2022

In a freewheeling chat, the singer opens up about all things opera, including his upcoming turn in the title role in SF Opera’s Don Giovanni.

Richard S. Ginell - May 24, 2022

Giustino transcends time and place in James Darrah’s new production for Long Beach Opera.

Steven Winn - May 23, 2022

With Tchaikovsky’s Pique Dame, the company returns to live performance, boasting a star turn from soprano Rhoslyn Jones.

Jeremy Reynolds - May 20, 2022

Audiences like comedy. Opera companies like comedy. So what’s the problem?