Esa-Pekka Salonen leads the Bay Area premiere of John Adams’s recent piano concerto, Must the Devil Have All the Good Tunes?
The adventurous Chicago ensemble records a set of new works that at times sound reassuringly traditional.
Big premieres and interesting collaborations highlight a remarkably varied season.
A lot has changed since the company premiered the work in 2019, including a Pulitzer Prize for Anthony Davis’s score.
Is there enough in this opera to warrant a revival?
The dancers and musicians of the American Modern Opera Company know how to have fun while still crafting serious performances.
The collective of performers and composers more than kept its cool when one of the weekend’s big programs fell through.
Composer Enrico Chapela Barba writes masterfully for both ensembles in a new work titled Los Braceros.
