Reviews

Jonathan Rhodes Lee - April 20, 2009
You don't very often encounter ensembles specializing in music of the French salon. Even more rarely do you get to hear a pardessus de viol duo. Put those two conditions together and you've got the Catacoustic Consort, whose debut on the San Francisco Early Music Society's concert series (heard Saturday at St.
Georgia Rowe - April 20, 2009
Under the right circumstances, Carmen can turn up the heat like no other opera. Opera San José’s serviceable new production keeps it at a steady simmer, but never quite reaches the boiling point.

With opera companies across the country feeling the pinch of the economic downturn, it makes sense to produce bankable hits such as Bizet’s 1875 melodrama.

Heuwell Tircuit - April 20, 2009
This year’s season of the Avedis chamber music concerts has been devoted to small surveys of a given composer and his associates, per program.
George Loomis - April 16, 2009

NEW YORK — The YouTube Symphony Orchestra gave its first — and as far as anyone knows, only — concert last night and a good time was had by all. Isaac Stern Auditorium of Carnegie Hall glowed festively, or at least differently, with atmospheric lighting.

Jason Victor Serinus - April 13, 2009
Nymphs and shepherds, unite! Georg Friedrich Händel’s path to pastoral bliss beckons in two distinct directions.
Georgia Rowe - April 13, 2009

This is the time of year when San Francisco Symphony Music Director Michael Tilson Thomas, for better or worse, yields the podium to a series of guest conductors. Later this month, and in the first part of May, Oliver Knussen, Yan Pascal Tortelier, and Bernard Labadie will take up the baton; this past weekend it was Stéphane Denève’s turn.

Dan Leeson - April 13, 2009

For its 2008-2009 season finale on Saturday, the San Francisco Chamber Orchestra, under Benjamin Simon’s effective direction, presented an eclectic program with a theme of “Bach to Bach” — meaning, of course, that the concert would both begin and end with a Bach composition, though the finale was a very different kind of Bach.

Jeff Dunn - April 9, 2009

Noisy music with imaginary animals from both sides of the program threatened to cage the central Mozart concerto at Tuesday's Marin Symphony concert. But the songbird in the Mozart wound up soaring above the surrounding beasts, thanks to fine playing by principals Dan Levitan on harp and Monica Daniel-Barker on flute.

Jonathan Russell - April 8, 2009
The Bay Area is fortunate to have a number of ensembles dedicated to new music, each with its own slightly different approach. The Left Coast Chamber Ensemble’s spin is to frequently include a couple of old works on their programs alongside the newer ones. When you think about it, this really is a unique approach.
Anna Carol Dudley - April 7, 2009
Kurt Weill and several of his cabaret contemporaries from the “Roaring Twenties” in Berlin roared into the Martin Meyer Sanctuary at Temple Emanu-El Sunday afternoon.