Robert P. Commanday

Robert P. Commanday, founding editor of San Francisco Classical Voice, was the music critic of The San Francisco Chronicle from 1965 to 1993, and before that a conductor and lecturer at UC Berkeley.

Articles By This Author

Robert P. Commanday - November 26, 2013

Richard Strauss' Die Frau ohne Schatten at the Metropolitan Opera combines a rich score, matchless orchestra, cast, and direction for a fantastic operatic odyssey.

Robert P. Commanday - October 8, 2013

A stellar group of collaborators brought an outstanding new musical to Cal Performances.

Robert P. Commanday - August 3, 2013

San Francisco’s prize-winning Lamplighters put on an impressive and charming Iolanthe, with classic G&S look and style.

Robert P. Commanday - April 30, 2013

By Robert Commanday, San Francisco Classical Voice

Music@Menlo Artistic Directors David Finckel and Wu Han Photo by Christian Steiner
Music@Menlo Artis
Robert P. Commanday - December 5, 2012

Reah Sadowsky, a pianist once hailed as a San Francisco Wunderkind alongside Isaac Stern, Ruggiero Ricci, and Yehudi Menuhin, who then carved out a uniquely distributed career, died in her Berkeley home at the age of 96.

Robert P. Commanday - October 1, 2012

The brilliant new Weill Hall starred in the Green Music Center’s gala opening, eclipsing even the playing of the Santa Rosa Symphony and Lang Lang and the work of three conductors.

Robert P. Commanday - August 1, 2012

“Here’s a how-de-do!” — the Lamplighters lend their storied charm to another bright production of Gilbert and Sullivan’s witty, belovedMikado.

Robert P. Commanday - May 7, 2012

The UC Davis Symphony Orchestra, comprising mostly students, plays gallantly in a mixed-bill at Mondavi Center.

Robert P. Commanday - October 25, 2011

SFCV’s founder and long-time writer on the S.F. Symphony reviews its new official history and reports for the first time on some of what he witnessed that didn’t quite make it into the book.

Robert P. Commanday - August 22, 2011

A true-to-the-original production of Gershwin’s masterwork is blessed by four outstanding women singer/actors, but marred by lax baton work.