A piano exhibits grand qualities: a sizable range, effortless intonation, and an immense harmonic palette. Yet the instrument has always been impaired by a tragic flaw — for all the discrete steps of its glorious black and white facade, it cannot produce sounds that glide smoothly and sweetly between any two of its 88 tempered tones. The cracks between the keys belie this solitary character, and for every key struck, whether by virtuoso fingertips or your cat's paw, the sounding note hopelessly decays toward infinity without ever truly connecting with another.
Composers like Chopin and Debussy made an art out of circumnavigating this dilemma. At Luciano Chessa's recital Sunday, presented by Old First Concerts, the most striking moments in his music arose as he sought to do the same, using techniques and tools both old and new to imbue the instrument with a warm, cantabile voice.
In Louganis, Chessa, who serves on the faculty of the San Francisco Conservatory of Music, turned on some 10 to 15 electric toothbrushes, strategically dropped them on the piano strings, and eventually dove down toward the pedals. The drama of his movements at that point diverted attention from the reverberation that built as he slowly depressed the damper. This listener's ears adjusted without knowing it, and when the pedal finally lifted the volume level dropped unexpectedly. As the toothbrushes flittered over the strings, Chessa explored subtle pedal variations, creating a shimmering wash of timbres that slowly saturated the hall.
Later in the same piece, these pedaling effects were complemented by sleigh bells worn around the performer's wrists. The timbre closely resembled that of the quivering piano strings and created the illusion that by shaking the bells he could extract resonance from the piano. At the same time, he played crisp staccato gestures on the keyboard that mimicked the initial toothbrush dives. It was as if the cracks between the keys were now fluid, much like the cool reflections flowing from Terry Berlier's video that accompanied all this on the unbelievably tiny screen of an onstage TV/VCR combo.
Jonathan Wilkes is a graduate student in theory and composition at UC Davis. He earned a B.A. in music from the University of North Carolina at Chapel Hill in Piano Performance.