December 29, 2009

In Memoriam: Mariedi Anders
1915-2009

By Robert P. Commanday

Mariedi Anders, a leading American concert manager and the first in San Francisco, died Dec. 26 in the California Pacific Hospital after a short illness. She was 94. She was a major agent on the West Coast, managing her Mariedi Anders Artists Management, Inc., for 50 years, right up to her death. She was noted throughout the industry for her devotion to her artists, her energy, and her determination in the introduction of new artists.

Among her clients were such well-known artists as the conductors Leonard Slatkin, Sergiu Commissiona, and Robert Spano, whose careers she launched and helped build; also, Nicholas Harnoncourt, Peter Schreier, Horst Stein, and Carlos Kalmar. She introduced the Czech pianist Ivan Moravec, then unknown here; Britain’s King’s Singers; and the Borodin and Prague string quartets, among other ensembles from the Eastern bloc of nations.

Among the nearly one hundred artists she represented at the height of her management’s activity were singers Peter Schreier, Lucia Popp, Kurt Moll, Matti Salminen, and Theo Adam; pianists Walter Klien and Alexei Lubimov; violinist and conductor Josef Suk; violinist Silvia Marcovici; cellists Paul Tortelier and Natalia Gutman; and bassist Gary Karr.

Born in Vienna, Austria, the daughter of a respected businessman and singer in the bohemian café society of Vienna, Anders came to the U.S. with her husband, Ernst, and 2-year-old son in 1938, to live at first at the home of her uncle, the celebrated conductor Eugene Ormandy. In 1944, the family moved to San Francisco and eventually Anders graduated from San Francisco State University. After helping an acquaintance produce an opera in the Marines Memorial Theater as a favor, Anders was urged by her husband to go into management. She did that in 1959, from what became its permanent office, in their Sea Cliff district home.

Ruth A. Felt, founding president of San Francisco Performances, said, “She was as invincible then as she continued to be, a strong advocate for great musicians and arts.” Recalling that in the 1960s “the West Coast was a kind of foreign land for national as well as international artists,” Felt noted that Anders was a part of the effort to bring them to perform here. “She was a fighter, very smart, and you didn’t easily turn her down.” Reflecting her dedication and focus on Eastern artists, Anders learned Russian in her 60s with the help of a tutor, language tapes, and books.

Anders merged her agency with California Artists Management in 2007, continuing to work as a senior partner. Donald Osborne, cofounder of California Artists Management, who had worked with Anders in the 1970s, admired her tenacity and enjoyment of her work. He recalled how she became “family” to each of her artists, providing them a home away from home when they performed in the San Francisco Bay Area, and traveling throughout the world to support them in performances elsewhere.

She was a founding member of the Western Arts Alliance and a recipient of its Distinguished Service Award in 1986. She was awarded a lifetime membership in the Association of Performing Arts Presenters. In her personal life, she was an active hiker, skier, and tennis player. She is survived by her sons, Thomas Anders of South Dartmouth, Mass., and James Anders of Meadville, Pa.; her sister Hanni Forester of San Francisco; six grandsons; and seven great-grandchildren.

Robert P. Commanday, founding editor of San Francisco Classical Voice, was the music critic of The San Francisco Chronicle from 1965 to 1993, and before that a conductor and lecturer at UC Berkeley.

Comments

December 30, 2009
Mariedi Anders

In 1972, a short, heavily accented woman flew out to St. Louis to attend a concert by the young assistant conductor. She liked what she saw and heard and offered to become my manager. I knew very little about this aspect of the musical profession. But Mariedi explained it all, giving me the advice and counsel every musician should have.

There is no question that her leadership was responsible for what has turned out to be a good career. She was always there for her artists, working tirelessly on their behalfs. Aggresive? Yes! Pushy? That too. But she never overstepped any bounds of propriety and was respected by all.

Once, when I was in San Francisco to conduct a set of subscription concerts, Mariedi held a cocktail party in her beautiful home. About 30 minutes into the event, there was a knock at the door and an unknown man asked to use the phone. A few minutes after that, two more men came in, wielding guns, and had us all lie down on the floor. After the robbery, Mariedi, clearly shaken, announced that the party was not over, and she took us all to a Chinese restaurant for dinner.

Nothing slowed her down. I can only imagine the roster of artists she has already put together since her passing. I loved her. Everyone did.

January 4, 2010
Mariedi Anders

With Mariedi Anders a queen of classical music management has passed away. She was the living proof of the old German saying "klein, aber oho...!" which means "short, but watch out!!" I met her in the very late 80's, and she took me under her wings. She always was classy, she had a wonderful natural authority, and she was very well respected in the business.
Of course she helped building my career as a conductor in the United States. We had numerous encounters, she traveled to several cities where her artists were performing.
Interestingly enough, what I cherish the most about this wonderful woman has nothing to do with either business or even classical music:
Despite having lived over 7 decades in the US she remained very true to her country of birth, Austria. And that's where we had a very strong connection. She could speak about her father, she could refer to the old Viennese "coffee-house-culture" that was so influential in the 1920's, and where her father was a part of. And as my own family came from the same city, and my family (as observants) witnessed all those developments in Europe before WWII, we talked about that era... On that somewhat emotional level she was my grandmother of souls.
I will miss her...

July 22, 2010
Mariedi Anders

Farewell Mariedi, we will keep memories of you for years to come.

Joanne

December 9, 2010
Mariedi Anders

I worked for 'Mrs. A'. in the mid-1970s, in her office and as road manager on two tours with the Prague and Moscow Chamber Orchestras. The last time I saw her, a few years ago, for dinner before a string quartet concert at the Palace of the Legion of Honor, she was completely unchanged, with all her wonderful energy still strong. I cherish her memory and I remain grateful to her for introducing me to music that continues to be an important part of my life.