The orchestra’s annual pan-Asian celebration combines music, dance, and community spirit.
The company is finding the fun in the composer’s seldom-heard Ercole su’l Termodonte.
Her company’s latest work, Talking Circle, is a collaborative effort that draws on movement, music, and personal experiences.
The Music Center’s annual marathon performance on Christmas Eve promises to be bigger and better than ever.
The experimental sound artist is again returning to the Wattis Institute for the exhibition Drum Listens to Heart.
HALIE! recounts the joys, hardships, and remarkable music that underscored the gospel singer’s career.
The director’s latest collaboration with the chorus adapts a mournful but timely piece by early Baroque composer Heinrich Schütz.
The Charleston-based concert organization returns to the West Coast with eight events, from recitals and lectures to an 80-musician orchestra.
Students and faculty at Stanford Medicine now have a group creative outlet.
Bay Area composer Edward Schocker leads a journey through just intonation in his multipart work Dodecachordon.
