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Jason Victor Serinus

Jason Victor Serinus is a music critic, professional whistler, and lecturer on classical vocal recordings. His credits includes Seattle Times, Listen, Opera News, Opera Now, American Record Guide, Stereophile, Classical Voice North America, Carnegie Hall Playbill, Gramophone, San Francisco Magazine, Stanford Live, Bay Area Reporter, San Francisco Examiner, AudioStream, and California Magazine.

Articles by this Author

CD Review
November 2, 2012

Yannick Nézet-Séguin and a superb cast prove we can never have too many recordings of Don Giovanni.

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Upcoming Concert
October 16, 2012

The current revival tour, which began this year in France, heads to Italy, London, Toronto, and Brooklyn before reaching Berkeley. Catch this radical work while you can — you may not get another chance.

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Upcoming Concert
October 16, 2012

Given the fabulous reviews that composer Jake Heggie’s and librettist Gene Scheer’s latest opera has received in Dallas and San Diego, why wouldn’t you want to see the SFO premiere of this heralded work by our local-boy-made-good?

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CD Review
October 15, 2012

The great Cecilia Bartoli breathes new life into arias by a nearly unknown 17th-century Italian composer, Agostino Steffani, and triumphs in the process.

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Upcoming Concert
October 9, 2012

Canadian soprano Karina Gauvin has made her mark in two contrasting art forms: Baroque repertoire, in which she excels in rapid-fire coloratura, and song, in which her gift for lyric expression comes to the fore.

More about Sonoma State University »
Chamber Music Review
October 6, 2012

In their concert British tenor Mark Padmore and American pianist Jonathan Biss fused words and music in a supreme partnership that conveyed emotions with transcendent, eye-opening profundity.

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Artist Spotlight
October 5, 2012

The golden tones of Karina Gauvin will soon be heard in her beloved French song repertoire, this time in Green Music Center’s Weill Hall.

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News Report
October 2, 2012

The recording company acknowledges the decline in popularity of CDs, signaling its future strategy with a classical, download-only recording.

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Upcoming Concert
October 1, 2012

Based on the Italian story that yielded Shakespeare’s Romeo and Juliet, this opera features some exquisite arias, especially Giulietta’s “Oh quante volte” from Act 1. 

More about San Francisco Opera »
Upcoming Concert
October 1, 2012

In the time it has taken Mark Padmore to make his recital debut in San Francisco, he has grown into a lieder singer to be reckoned with.

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Opera Review
September 29, 2012

The singing at S.F. Opera makes I Capuleti e i Montecchi

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Artist Spotlight
September 26, 2012

In a Skype chat With SFCV, tenor Mark Padmore reflects on the arc of his career, his chosen repertoire, and the artistic importance of art song.

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CD Review
September 21, 2012

The dissolute knight Falstaff sings out in Gordon Getty’s concert version of Plump Jack.

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CD Review
September 14, 2012

You’ll probably enjoy Musical Art Quintet’s first CD if you don’t demand that music communicate on multiple emotional levels.

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Opera Review
September 7, 2012

The first night of the S.F. Opera's Rigoletto, featured three much-heralded SFO debutants, faring best in secondary roles, and inspired conducting by Luisotti.

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Season Preview
September 5, 2012

San Francisco Opera sports a huge season of stars and new productions for the fall, while other Bay Area presenters, large and small, add to a season of unprecedented variety.

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Opera Review
August 21, 2012

Handel’s best-known opera has achieved popularity due to a staggering succession of supremely engaging melodies. The reason for the full-house in Salzburg was the stars.

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Feature Article
August 28, 2012

The festival of Wagner operas at Bayreuth continues to confront the composer’s fraught and complicated legacy with fascinating, sometimes crazy productions. SFCV’s critic reports on the entire thing.

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CD Review
August 15, 2012

Soprano Miah Persson’s latest recital CD is essential to acquire, being so filled with beautiful, deeply felt singing.

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Festival Review
July 28, 2012

A mezzo/baritone recital proves disappointing and far less romantic than might be expected from the performers and their repertory.

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