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Jason Victor Serinus

Jason Victor Serinus is a music critic, professional whistler, and lecturer on classical vocal recordings. His credits includes Seattle Times, Listen, Opera News, Opera Now, American Record Guide, Stereophile, Classical Voice North America, Carnegie Hall Playbill, Gramophone, San Francisco Magazine, Stanford Live, Bay Area Reporter, San Francisco Examiner, AudioStream, and California Magazine.

Articles by this Author

Upcoming Concert
September 23, 2019

The choreographer is still stretching boundaries in his collaborations with jazz artist Jason Moran and now Charles Lloyd.

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Opera Review
August 13, 2019

An updated production draws clear parallels between the opera’s action and recent politics.

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Recording Review
July 25, 2019

The young countertenor reveals growing artistic maturity throughout this recital with the American Bach Soloists.

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Artist Spotlight
July 19, 2019

The popular composer is frantically busy — just the way he likes it.

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CD Review
November 27, 2018

Mahler’s profound songs demand a bit more than meets the ear with this collection.

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Choral Review
November 17, 2018

A deluxe set captures the highpoints and variations in the revered ensemble’s marvelous sound over the decades.

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Opera Review
October 2, 2018

A boldly directed vision of Richard Strauss’s biggest hit reframes the opera.

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Recital Review
September 25, 2018

The absurd wealth of the Parisian music scene is only hinted at with a pair of recitals by two of the best male vocalists in the world.

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Opera Review
September 10, 2018

The two great verismo classics are seen in tenor José Cura’s production, set in modern-day Buenos Aires.

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Recording Review
August 12, 2018

Here’s an operatic comedy that will leave you feeling good about humanity.

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CD Review
July 10, 2018

The first complete recording of the famous 1937 agit-prop opera is surprisingly timely.

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Early Music/Baroque Review
June 5, 2018

Soprano Christine Brandes brought the fury and darkness, though the venue was unsuitable.

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Feature Article
April 10, 2018

Anderson's Landfall is an unmissable work, created with Kronos, while countertenor Fagioli blows away the competition in Handel arias.

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Early Music/Baroque Review
December 12, 2017

Gorgeous tones on period instruments meld beautifully with a strong chorus and powerful soloists.

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Opera Review
December 11, 2017

Aspiring singers do justice to Benjamin Britten’s devastating opera.

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Opera Review
September 11, 2017

The much-loved, much-seen show, with its opulent designs, opens the season with a lukewarm cast.

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Opera Review
September 11, 2017

It would be a crime to miss this great cast in San Francisco Opera’s brilliant production.

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Opera Review
July 24, 2017

The rave is in: Mason Bates’s first opera is a (re)sounding success, one that deserves permanent repertory status.

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Recital Review
May 19, 2017

The soprano offers a rare bouquet, delivered with splendid technique and expressiveness.

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Upcoming Concert

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