Jim Farber

The opera’s latest revision, unveiled by Adams, the LA Phil, and the original cast, makes a strong case for the work.

At USC’s Keck School of Medicine, a multidisciplinary clinic works to treat neurological conditions that afflict instrumentalists.

The composer leads a thoroughly reworked version of his opera with the original soloists and the LA Phil.

The classical music observations in Todd Field’s movie are vivid and layered, making it a must-see for fans.

After more than two years of forced isolation, performance touring is back on the calendar.

Great singing can’t rescue this drab revival.

Pianists Katia and Marielle Labèque premiere a psychedelic new work at Disney Hall, in collaboration with soprano Barbara Hannigan.

Peter Knell and Stephanie Fleischmann’s brooding new opera portrays the Soviet side of the Cuban Missile Crisis.

In his recital at The Wallis, the pianist/composer was oddly uncommunicative.

The first recital in Piano Spheres’ new season is all about the interplay of acoustic and electronic sounds.