Previews

Traditional notions of “summer fun” evoke a host of images: beach balls, barbecues, baseball. Music lovers should add to this list of B’s the name Banchieri — as in Adriano Banchieri, an Italian Renaissance composer and a pioneer of the madrigal comedy, a collection of madrigals strung together to present a comical story.

This weekend, you can take a picnic, and bring as many friends as you like to enjoy a free performance in Berkeley’s John Hinkel Park. This might evoke memories for some of a small artistic collective that began in 1974 and has now grown to become Cal Shakes. But the latest free show to encourage lovers of the performing arts is called Open Opera. Founded in 2008 by Olivia Stapp. Ellen St.

Festival-goers may not mind that, for one night, Carmel Bach becomes Carmel Beethoven. David Breitman, who is on the faculty of Oberlin Conservatory and is an expert on historical performance techniques, plays Beethoven's Fourth Piano Concerto (on a modern piano). And the orchestra, under Bruno Weil, finishes up with one of the composer's most popular symphonies, the “Eroica.”

The Mendocino Music Festival closes with a performance of Mozart's Requiem Mass. Completed by his pupil, Francis Xavier Süssmayer, it is still one of the two most popular Requiems in the classical repertory. But even Mozart would have forked over some cash to be able to hear it in a tent overlooking the Pacific Ocean, with a fine team of professional soloists.

The music of the Grateful Dead, arguably rock ’n’ roll’s first jam band, is staging a second coming, in symphonic garb, in the land where the band began, 44 years ago. Composer Lee Johnson’s Dead Symphony No. 6, based on the Dead canon, will be showcased on Aug. 9, the third day of the Cabrillo Festival of Contemporary Music in Santa Cruz.

Chronologically and in many other ways, it’s a long way from Felix Mendelssohn (1809-1847) to Pierre Jalbert (born in 1967), but Music at Menlo will bring the two together.

The Midsummer Mozart Festival is coming to a concert venue near you. First up is the absolutely delightful Concerto for Two Pianos, K. 365, a flute concerto, and the exciting "Haffner" Symphony, No. 35. As always the orchestra travels so you don't have to — from Santa Clara to San Francisco to Sonoma.

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The opening program of the Carmel Bach Festival is a performance of Joseph Haydn's magnificent oratorio, The Creation. From its famous depiction of Chaos through to the uplifting final chorus, "The heavens are telling the glory of God," this is a worthy successor to Handel's great English oratorios.