Sheku Kanneh-Mason makes his SF Symphony debut in Shostakovich’s Cello Concerto No. 1.

Played simultaneously on a rotating turntable, the double production invites speculation on power relations and much more.

Amid transitions in management and leadership, PBO’s upcoming season sees four guest conductors auditioning for the post of music director.

The company’s current production of Otto Nicolai’s 1849 singspiel might have just a little too much of everything.

The annual week of concerts and workshops led by the Resonance Collective offers singers the opportunity to experiment.

In a program of concertos and showpiece arias, VoM has two powerhouse soloists in violinist Augusta McKay Lodge and soprano Amanda Forsythe.

Lisa Mezzacappa and Beth Lisick’s The Electronic Lover captures the world of emotions that can exist in the chat room.

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From the Archives

On Oct. 5, 2023, cellist Sheku Kanneh-Mason joined music writer Lev Mamuya via Zoom in SFCV’s interview series.

After nearly 50 years, the quartet still has new things to say. The festival April 7–9 spans its ever-expanding repertory.

At 63, the soprano has many irons in the fire, including un-retiring from the Metropolitan Opera to sing in a premiere.

Da-Hong Seetoo trained as a virtuoso violinist, but for the past several decades, he’s made his biggest impact as an audio engineer.