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Esa-Pekka Salonen leads the Bay Area premiere of John Adams’s recent piano concerto, Must the Devil Have All the Good Tunes?

The robust chorus and a venue not designed for a small original-instruments orchestra created persistent balance problems in Bach’s B Minor Mass.

The adventurous Chicago ensemble records a set of new works that at times sound reassuringly traditional.

The chorus is planning an international tour and a varied season.

The SF Conservatory of Music-hosted event brings in students from all over the country to hone their music criticism chops.

Tell us about your favorite contemporary opera. We’ll publish select submissions along with contributions from our own staff of writers.

Is there enough in this opera to warrant a revival?

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From the Archives

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