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Latest From the SFCV Feed

Richard S. Ginell - May 24, 2022

Giustino transcends time and place in James Darrah’s new production for Long Beach Opera.

Richard S. Ginell - May 24, 2022

A lively concert of 20th-century Italian chamber music focuses on works by Ferruccio Busoni and Luciano Berio.

Lou Fancher - May 24, 2022

The school’s annual Spring Festival returns this month, while 13 student and alumni dancers have been promoted within the company.

Andrew Gilbert - May 23, 2022

An all-star roster of artists with new releases on the adventurous label takes the stage at the Freight & Salvage on June 2.

Victoria Looseleaf - May 23, 2022

The rising conductor talks about her approach to the art, her love of new music, and her upcoming run with SFS.  

Andrew Gilbert - May 23, 2022

The superlative singer plows a rich furrow with pianist Taylor Eigsti, bassist Ben Williams, and drummer Malachi Whitson.

Steven Winn - May 23, 2022

With Tchaikovsky’s Pique Dame, the company returns to live performance, boasting a star turn from soprano Rhoslyn Jones.

Lisa Hirsch - May 23, 2022

The latest iteration of Bullock’s evolving program highlights Black composers and visual artists.

Jeremy Reynolds - May 20, 2022

Audiences like comedy. Opera companies like comedy. So what’s the problem?

Janos Gereben - May 20, 2022

Soprano Amina Edris will create the role originally intended for Julia Bullock, who’s expecting her first child this fall.