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Even though Leipzig did not enjoy the same illustrious reputation of Dresden, Venice, Paris, or Vienna during the Baroque era, it was a burgeoning musical scene would eventually be recognized over time because of two composers who started and continued a tradition of performing secular music for the benefit of its townsfolk with ensembles consisting mainly of college students. These two composers were none other than Georg Philipp Telemann and Johann Sebastian Bach. And this chamber orchestra that performed under them was known as Collegium Musicum.

Incidentally, Telemann and Bach were dear friends and fostered a mutual respect for each other's ingenious ability as composers. The Collegium Musicum became a creative outlet for each to musically express the inspiration they drew from the distinctive styles of their European contemporaries, resulting in riveting masterworks that have stood the test of time.

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A triumphant end to a transformative season, the Merola Grand Finale features all young artists of the summer program in a dazzling array of opera’s most brilliant works. Conducted by Maestro Steven White and directed by 2024 Merola Stage Director Anna Theodosakis, this festive evening showcases the extraordinary talent of the 2024 Merolini.

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Celebrating the release of E4TT's fifth album, "Emigres & Exiles in Hollywood," a recording of favorites from our multi-year exploration of rarely heard chamber works and movie arrangements by film composers who fled Europe in the 1930s and ‘40s, many going on to win multiple Academy Awards and creating the characteristic Hollywood sound that shaped what we hear at the movies today.

Featuring selections from the new recording by Erich Korngold, Miklos Rozsa, Alexandre Tansman, and more, plus "Cabaret Songs" by Arnold Schoenberg. E4TT (Nanette McGuinness, soprano, Abigail Monroe, cello, Margaret Halbig, piano) with guest coloratura soprano Chelsea Hollow.